Some miles below, where the little creek which turns the mill-wheel steals from out the swamp to join the river, a clumsy, flat-bottomed scow lies grounded upon a sand-bar. This is no evil to Boat Jim, who, sprawled upon the deck, snores away the hours, regardless of the blistering sun beating down upon his uncovered head, and all unconscious of the departure of his chance passenger, an itinerant organ-grinder. This fellow, having had the ill luck to lose the respectable member of the firm, his monkey, and finding difficulty without the aid of his little partner to attract an audience, had, while idling about the docks, encountered Boat Jim, and persuaded the latter to give him a lift up the river, the condition being that he was to grind as much music as Jim should desire. But, disgusted with three days of slow progress upon the boat, he had, after viciously kicking the unconscious Jim, stolen the small boat and put himself ashore. Following the windings of the creek, he came to the little mill, where, attracted by the shade, he seated himself close to the wattle fence of Polly’s little yard. Hearing voices, he peeped through the fence, and his eyes were soon fixed upon little Dave, who, with the fat baby and Emma Jane for spectators, is performing various tricks with infinite delight to himself. He stands upon his head, he turns somersaults, he dances, he pats, and finally he swings himself into a tree, where he skips about with the agility of a monkey. A thought comes into the organ-grinder’s head; he glances at the silent mill and at the cabin: evidently both are deserted; here is a chance to replace the dead monkey.
The sun is sending long shafts of crimson light into the swamp and glinting upon the millhouse; the high corn, awakening from its midday torpor, rustles softly to the evening breeze, as Wat and Polly wend their way homeward. A bucket, lightly poised upon Polly’s head, holds scraps of barbecue and little Dave’s promised pie, and, as she draws near the wattle fence, she thinks, with a pleased smile, of how she will set it before “de chilluns,” when a prolonged howl falls upon her ears. Recognizing the voice of Emma Jane, she says to herself: “She hongry, I spek,” and trudges on, in nowise disturbed by this familiar sound. But, when they enter the yard, there is only Emma Jane, bawling, open-mouthed, beside the baby, who, with the house pig, lies asleep on the warm sand. The chickens are daintily picking their way to the house, the old muscovy duck has tucked her head under her wing for the night, Old Keep, the stump-tailed coon dog, crawls from under the cabin to greet them. But where is Dave?
The miller carries the sleeping child indoors, followed by the still bawling Emma Jane, while the wrathful Polly goes to the back of the house. Stripping the twigs from a switch, she mutters: “I knows what you’s arter; you tuck yoursef to dat watermillion patch, dat whar you gone; but ne’ mine, boy, you jest le’ me git hold o’ you.” Then, after a time given to unsuccessful search, calls of “Da-a-vie—oh, oh, Dave!” fall upon the stillness, to be answered only by weird echo from the lonely swamp. Returning from her search, she finds Wat seated upon the doorstep.
“Dave done took hissel off to de quarter,” he says; “but no mind, I gwine fill him full o’ licks in de mornin’.”
But, when morning comes and brings no little Dave, wrath gives place to fear. The plantation is aroused; finally the mill-pond is dragged, and, although the body is not found, the conclusion is that the boy has been drowned.
After a time Polly’s smile beams as broadly as ever, but her heart still yearns for her boy, and amid the sleepy drone of her spinning-wheel, she pauses to listen; or, standing in her door, she looks ever wistfully along the crooked path. Across the way, the little mill clatters on as merrily as of yore; Wat heaves the great sacks upon his brawny shoulder, metes out the grist, and faithfully feeds the hopper; but, when a chance shadow falls athwart the sunny doorway, he looks up with a gleam of hope upon his stupid, honest face, then brushes his hand across his eyes, and goes on in stolid patience with his work. So the summer and the autumn pass, without change, save that Emma Jane substitutes sweet potatoes for corn bread, and the fat baby has learned to balance himself upon his bowlegs.
Upon a winter evening Wat enters the cabin at the usual hour. Polly has laid a bit of clean homespun upon the table; his bowl of coffee, his fried meat, and his hoe-cake stand ready; but, instead of falling to, as his custom is, he sits silent and despondent, with his face buried in his hands, until Polly asks:—
“What de matter; is you po’ly?”
“I dunno as I ’se, to say, po’ly,” Wat replies, “but dat boy’s been a-pesterin’ me dis livelong day, a-callin’ ‘Daddy, Daddy!’ jes’ like I talkin’ now, till seem like I ’se most beat out along o’ him.”
“Dat mighty curous,” Polly answered, “’cause Ole Keep, he’s been a-howlin’ dis blessed day. I ’lowed dat Ung Silas were gwine be tuck.”