I regret that the writings of Joanna Baillie are not more known in the United States. The Plays on the Passions are faulty in their plan,—all attempts at comic, even at truly dramatic effect, fail; but there are masterly sketches of character, vigorous expressions of wise thought, deep, fervent ejaculations of an aspiring soul!
We found her in her little calm retreat at Hampstead, surrounded by marks of love and reverence from distinguished and excellent friends. Near her was the sister, older than herself, yet still sprightly and full of active kindness, whose character and their mutual relation she has, in one of her last poems, indicated with such a happy mixture of sagacity, humor, and tender pathos, and with so absolute a truth of outline. Although no autograph collector, I asked for theirs, and when the elder gave hers as "sister to Joanna Baillie," it drew a tear from my eye,—a good tear, a genuine pearl,—fit homage to that fairest product of the soul of man, humble, disinterested tenderness.
Hampstead has still a good deal of romantic beauty. I was told it was the favorite sketching-ground of London artists, till the railroads gave them easy means of spending a few hours to advantage farther off. But, indeed, there is a wonderful deal of natural beauty lying in untouched sweetness near London. Near one of our cities it would all have been grabbed up the first thing. But we, too, are beginning to grow wiser.
At Richmond I went to see another lady of more than threescore years' celebrity, more than fourscore in age, Miss Berry the friend of Horace Walpole, and for her charms of manner and conversation long and still a reigning power. She has still the vivacity, the careless nature, or refined art, that made her please so much in earlier days,—still is girlish, and gracefully so. Verily, with her was no sign of labor or sorrow.
From the older turning to the young, I must speak with pleasure of several girls I know in London, who are devoting themselves to painting as a profession. They have really wise and worthy views of the artist's avocation; if they remain true to them, they will enjoy a free, serene existence, unprofaned by undue care or sentimental sorrow. Among these, Margaret Gillies has attained some celebrity; she may be known to some in America by engravings in the "People's Journal" from her pictures; but, if I remember right, these are coarse things, and give no just notion of her pictures, which are distinguished for elegance and refinement; a little mannerized, but she is improving in that respect.
The "People's Journal" comes nearer being a fair sign of the times than any other publication of England, apparently, if we except Punch. As for the Times, on which you all use your scissors so industriously, it is managed with vast ability, no doubt, but the blood would tingle many a time to the fingers' ends of the body politic, before that solemn organ which claims to represent the heart would dare to beat in unison. Still it would require all the wise management of the Times, or wisdom enough to do without it, and a wide range and diversity of talent, indeed, almost sweeping the circle, to make a People's Journal for England. The present is only a bud of the future flower.
Mary and William Howitt are its main support. I saw them several times at their cheerful and elegant home. In Mary Howitt I found the same engaging traits of character we are led to expect from her books for children. Her husband is full of the same agreeable information, communicated in the same lively yet precise manner we find in his books; it was like talking with old friends, except that now the eloquence of the eye was added. At their house I became acquainted with Dr. Southwood Smith, the well-known philanthropist. He is at present engaged on the construction of good tenements calculated to improve the condition of the working people. His plans look promising, and should they succeed, you shall have a detailed account of them. On visiting him, we saw an object which I had often heard celebrated, and had thought would be revolting, but found, on the contrary, an agreeable sight; this is the skeleton of Jeremy Bentham. It was at Bentham's request that the skeleton, dressed in the same dress he habitually wore, stuffed out to an exact resemblance of life, and with a portrait mark in wax, the best I ever saw, sits there, as assistant to Dr. Smith in the entertainment of his guests and companion of his studies. The figure leans a little forward, resting the hands on a, stout stick which Bentham always carried, and had named "Dapple"; the attitude is quite easy, the expression of the whole quite mild, winning, yet highly individual. It is a pleasing mark of that unity of aim and tendency to be expected throughout the life of such a mind, that Bentham, while quite a young man, had made a will, in which, to oppose in the most convincing manner the prejudice against dissection of the human subject, he had given his body after death to be used in service of the cause of science. "I have not yet been able," said the will, "to do much service to my fellow-men by my life, but perhaps I may in this manner by my death." Many years after, reading a pamphlet by Dr. Smith on the same subject, he was much pleased with it, became his friend, and bequeathed his body to his care and use, with directions that the skeleton should finally be disposed of in the way I have described.
The countenance of Dr. Smith has an expression of expansive, sweet, almost childlike goodness. Miss Gillies has made a charming picture of him, with a favorite little granddaughter nestling in his arms.
Another marked figure that I encountered on this great showboard was Cooper, the author of "The Purgatory of Luicides," a very remarkable poem, of which, had there been leisure before my departure, I should have made a review, and given copious extracts in the Tribune. Cooper is as strong a man, and probably a milder one, than when in the prison where that poem was written. The earnestness in seeking freedom and happiness for all men, which drew upon him that penalty, seems unabated; he is a very significant type of the new era, and also an agent in bringing it near. One of the poets of the people, also, I saw,—the sweetest singer of them all,—Thom. "A Chieftain unknown to the Queen" is again exacting a cruel tribute from him. I wish much that some of those of New York who have taken an interest in him would provide there a nook in which he might find refuge and solace for the evening of his days, to sing or to work as likes him best, and where he could bring up two fine boys to happier prospects than the parent land will afford them. Could and would America but take from other lands more of the talent, as well as the bone and sinew, she would be rich.