IN ANSWER TO STANZAS CONTAINING SEVERAL PASSAGES OF DISTINGUISHED BEAUTY, ADDRESSED TO ME BY——.
As by the wayside the worn traveller lies,
And finds no pillow for his aching brow,
Except the pack beneath whose weight he dies,—
If loving breezes from the far west blow,
Laden with perfume from those blissful bowers
Where gentle youth and hope once gilded all his hours,
As fans that loving breeze, tears spring again,
And cool the fever of his wearied brain.
Even so to me the soft romantic dream
Of one who still may sit at fancy's feet,
Where love and beauty yet are all the theme,
Where spheral concords find an echo meet.
To the ideal my vexed spirit turns,
But often for communion vainly burns.
Blest is that hour when breeze of poesy
From far the ancient fragrance wafts to me;
This time thrice blest, because it came unsought,
"Sweet suppliance," and dear, because unbought.
INFLUENCE OF THE OUTWARD.
The sun, the moon, the waters, and the air,
The hopeful, holy, terrible, and fair;
Flower-alphabets, love-letters from the wave,
All mysteries which flutter, blow, skim, lave;
All that is ever-speaking, never spoken,
Spells that are ever breaking, never broken,—
Have played upon my soul, and every string
Confessed the touch which once could make it sing
Triumphal notes; and still, though changed the tone,
Though damp and jarring fall the lyre hath known,
It would, if fitly played, and all its deep notes wove
Into one tissue of belief and love,
Yield melodies for angel-audience meet,
And pæans fit creative power to greet.
O, injured lyre! thy golden frame is marred;
No garlands deck thee; no libations poured
Tell to the earth the triumphs of thy song;
No princely halls echo thy strains along;
But still the strings are there; and if at last they break,
Even in death some melody will make.
Mightst thou once more be strung, might yet the power be given,
To tell in numbers all thou hast of heaven!
But no! thy fragments scattered by the way,
To children given, help the childish play.
Be it thy pride to feel thy latest sigh
Could not forget the law of harmony,
Thou couldst not live for bliss—but thou for truth couldst die!
TO MISS R. B.[47]
A graceful fiction of the olden day
Tells us that, by a mighty master's sway,
A city rose, obedient to the lyre;
That his sweet strains rude matter could inspire
With zeal his harmony to emulate;
Thus to the spot where that sweet singer sat
The rocks advanced, in symmetry combined,
To form the palace and the temple joined.
The arts are sisters, and united all,
So architecture answered music's call.
In modern days such feats no more we see,
And matter dares 'gainst mind a rebel be;
The faith is gone such miracles which wrought;
Masons and carpenters must aid our thought;
The harp and voice in vain would try their skill
To raise a city on our hard-bound soil;
The rocks have lain asleep so many a year,
Nothing but gunpowder will make them stir;
I doubt if even for your voice would come
The smallest pebble from its sandy home;
But, if the minstrel can no more create,
For building, if he live a little late,
He wields a power of not inferior kind,
No longer rules o'er matter, but o'er mind.
And when a voice like yours its song doth pour,
If it can raise palace and tower no more,
It can each ugly fabric melt away,
Bidding the fancy fairer scenes portray;
Its soft and brilliant tones our thoughts can wing
To climes whence they congenial magic bring;
As by the sweet Italian voice is given
Dream of the radiance of Italia's heaven.
Whether in round, low notes the strain may swell,
As if some tale of woe or wrong to tell,
Or swift and light the upward notes are heard,
With the full carolling clearness of a bird,
The stream of sound untroubled flows along,
And no obstruction mars your finished song.
No stifled notes, no gasp, no ill-taught graces,
No vulgar trills in worst-selected places,
None of the miseries which haunt a land
Where all would learn what so few understand,
Afflict in hearing you; in you we find
The finest organ, and informed by mind.
And as, in that same fable I have quoted,
It is of that town-making artist noted,
That, where he leaned his lyre upon a stone,
The stone stole somewhat of that lovely tone,
And afterwards each untaught passer-by,
By touching it, could rouse the melody,—
Even thus a heart once by your music thrilled,
An ear which your delightful voice has filled,
In memory a talisman have found
To repel many a dull, harsh, after-sound;
And, as the music lingered in the stone,
After the minstrel and the lyre were gone,
Even so my thoughts and wishes, turned to sweetness,
Lend to the heavy hours unwonted fleetness;
And common objects, calling up the tone,
I caught from you, wake beauty not their own.
SISTRUM.[48]
Triune, shaping, restless power,
Life-flow from life's natal hour,
No music chords are in thy sound;
By some thou'rt but a rattle found;
Yet, without thy ceaseless motion,
To ice would turn their dead devotion.
Life-flow of my natal hour,
I will not weary of thy power,
Till in the changes of thy sound
A chord's three parts distinct are found.
I will faithful move with thee,
God-ordered, self-fed energy.
Nature in eternity.