In view of such facts we cannot wonder that Dr. Channing, the editor of the Tribune, and others who make Christianity their standard, should find little savor in glowing expositions of the great French drama, and be disgusted at words of defence, still more of admiration, spoken in behalf of its leading actor.
We can easily admit at once that the whole French drama was anti-Christian, just as the political conduct of every nation of Christendom has been thus far, with rare and brief exceptions. Something different might have been expected from our own, because the world has now attained a clearer consciousness of right, and in our case our position would have made obedience easy. We have not been led into temptation; we sought it. It is greed, and not want, that has impelled this nation to wrong. The paths of peace would have been for her also the paths of wisdom and of pleasantness, but she would not, and has preferred the path of the beast of prey in the uncertain forest, to the green pastures where "walks the good Shepherd, his meek temples crowned with roses red and white."
Since the state of things is such, we see no extremity of censure that should fall upon the great French leader, except that he was like the majority. He was ruthless and selfish on a larger scale than most monarchs; but we see no difference in grain, nor in principles of action.
Admit, then, that he was not a good man, and never for one moment acted disinterestedly. But do not refuse to do homage to his genius. It is well worth your while to learn to appreciate that, if you wish to understand the work that the spirit of the time did, and is still doing, through him; for his mind is still upon the earth, working here through the tributary minds it fed. We must say, for our own part, we cannot admit the right of men severely to criticise Napoleon, till they are able to appreciate what he was, as well as see what he was not. And we see no mind of sufficient grasp, or high-placed enough to take this estimate duly, nor do we believe this age will furnish one. Many problems will have to be worked out first.
We reject the exclusively moral no less than the exclusively intellectual view, and find most satisfaction in those who, aiming neither at apology nor attack, make their observations upon the great phenomenon as partial, and to be received as partial.
Mr. Headley, in his first surprise at finding how falsely John Bull, rarely liberal enough to be fully trusted in evidence on any topic, has spoken of the acts of a hated and dreaded foe, does indeed rush too much on the other side. He mistakes the touches of sentiment in Napoleon for genuine feeling. Now we know that Napoleon loved to read Ossian, and could appreciate the beauty of tenderness: but we do not believe that he had one particle of what is properly termed heart;—that is, he could always silence sentiment at once when his projects demanded it. Then Mr. Headley finds apologies for acts where apology is out of place. They characterize the ruthless nature of the man, and that is all that can be said of them. He moved on, like the Juggernaut car, to his end, and spilled the blood that was needed for this, whether that blood were "ditch-water" or otherwise. Neither is this supposing him to be a monster. The human heart is very capable of such uncontrolled selfishness, just as it is of angelic love. "'Tis but the first step that costs"—much. Yet some compassionate hand strewed flowers on Nero's grave, and the whole world cried shame when Bonaparte's Mameluke forsook his master.
Mr. Headley does not seem to be aware that there is no trust to be put in Napoleon's own account of his actions. He seems to have been almost incapable of speaking sincerely to those about him. We doubt whether he could have forgotten with the woman he loved, that she might become his historiographer.
But granting the worst that can be said of ruthless acts in the stern Corsican, are we to reserve our anathema for him alone? He is no worse than the other crowned ones, against whom he felt himself continually in the balance. He has shed a greater quantity of blood, and done mightier wrongs, because he had more power, and followed with more fervor a more dazzling lure. We see no other difference between his conduct and that of the great Frederic of Prussia. He never did any thing so meanly wicked as has just been done in stirring up the Polish peasants to assassinate the nobles. He never did any thing so atrocious as has been done by Nicholas of Russia, who, just after his hypocritical intercourse with that "venerable man," the Pope, when he so zealously defended himself against the charge of scourging nuns to convert them to the Greek church, administers the knout to a noble and beautiful lady because she had given shelter for an hour to the patriot Dembinski. Why then so zealous against Napoleon only? He is but a specimen of what man must become when he will be king over the bodies, where he cannot over the souls, of his fellow-men. We doubt if it is any worse in the sight of God to drain France of her best blood by the conscription, than to tear the flower of Genius from the breast of Italy to perish in a dungeon, leaving her overwhelmed and broken-hearted. Leaving all this aside, and granting that Napoleon might have done more and better, had his heart been pure from ambition, which gave it such electric power to animate a vast field of being, there is no reason why we should not prize what he did do. And here we think Mr. Headley's style the only one in place. We honor him for the power he shows of admiring the genius which, in ploughing its gigantic furrow, broke up every artificial barrier that hid the nations of Europe one from the other—that has left the "career open to talent," by a gap so broad that no "Chinese alliance" can ever close it again, and in its vast plans of civic improvement half-anticipated Fourier. With him all thoughts became things; it has been spoken in blame, it has been spoken in praise; for ourselves we see not how this most practical age and country can refuse to apprehend the designs, and study the instincts of this wonderful practical genius.
The characters of the marshals are kept up with the greatest spirit, and that power of seizing leading traits that gives these sketches the greatness of dramatic poetry. The marshals are majestic figures; men vulgar and undeveloped on many sides, but always clear and strong in their own way. One mind animates them, and of that mind Napoleon is the culminating point. He did not choose them; they were a part of himself, a part of the same thought of which he was the most forcible expression. If sometimes inclined to disparage them, it was as a man might disparage his hand by saying it was not his head. He truly felt that he was the central force, though some of them were greater in the details of action than himself. Attempts have often been made to darken even the military fame of Napoleon and his generals—attempts disgraceful enough from a foe whom they so long held in terror. But to any unprejudiced mind there is evident in the conduct of their battles, the development of the instincts of genius in mighty force, and to inevitable results.
With all the haste of hand and inequality of touch they show, these sketches are full of strength and brilliancy, an honor to the country that produced them. There is no got-up harmony, no attempt at originality or acuteness; all is living,—the overflow of the mind; we like Mr. Headley; even in his faults he is a most agreeable contrast to the made men of the day.