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'What a vulgarity there seems in this writing for the multitude! We know not yet, have not made ourselves known to a single soul, and shall we address those still more unknown? Shall we multiply our connections, and thus make them still more superficial?
'I would go into the crowd, and meet men for the day, to help them for the day, but for that intercourse which most becomes us. Pericles, Anaxagoras, Aspasia, Cleone, is circle wide enough for me. I should think all the resources of my nature, and all the tribute it could enforce from external nature, none too much to furnish the banquet for this circle.
'But where to find fit, though few, representatives for all we value in humanity? Where obtain those golden keys to the secret treasure-chambers of the soul? No samples are perfect. We must look abroad into the wide circle, to seek a little here, and a little there, to make up our company. And is not the "prent book" a good beacon-light to tell where we wait the bark?—a reputation, the means of entering the Olympic game, where Pindar may perchance be encountered?
'So it seems the mind must reveal its secret; must reproduce. And I have no castle, and no natural circle, in which I might live, like the wise Makaria, observing my kindred the stars, and gradually enriching my archives. Makaria here must go abroad, or the stars would hide their light, and the archive remain a blank.
'For all the tides of life that flow within me, I am dumb and ineffectual, when it comes to casting my thought into a form. No old one suits me. If I could invent one, it seems to me the pleasure of creation would make it possible for me to write. What shall I do, dear friend? I want force to be either a genius or a character. One should be either private or public. I love best to be a woman; but womanhood is at present too straitly-bounded to give me scope. At hours, I live truly as a woman; at others, I should stifle; as, on the other hand, I should palsy, when I would play the artist.'
HEROISM.
These practical problems Margaret had to entertain and to solve the best way she could. She says truly, 'there was none to take up her burden whilst she slept.' But she was formed for action, and addressed herself quite simply to her part. She was a woman, an orphan, without beauty, without money; and these negatives will suggest what difficulties were to be surmounted where the tasks dictated by her talents required the good-will of "good society," in the town where she was to teach and write. But she was even-tempered and erect, and, if her journals are sometimes mournful, her mind was made up, her countenance beamed courage and cheerfulness around her. Of personal influence, speaking strictly,—an efflux, that is, purely of mind and character, excluding all effects of power, wealth, fashion, beauty, or literary fame,—she had an extraordinary degree; I think more than any person I have known. An interview with her was a joyful event. Worthy men and women, who had conversed with her, could not forget her, but worked bravely on in the remembrance that this heroic approver had recognized their aims. She spoke so earnestly, that the depth of the sentiment prevailed, and not the accidental expression, which might chance to be common. Thus I learned, the other day, that, in a copy of Mrs. Jameson's Italian Painters, against a passage describing Correggio as a true servant of God in his art, above sordid ambition, devoted to truth, "one of those superior beings of whom there are so few;" Margaret wrote on the margin, 'And yet all might be such.' The book lay long on the table of the owner, in Florence, and chanced to be read there by a young artist of much talent. "These words," said he, months afterwards, "struck out a new strength in me. They revived resolutions long fallen away, and made me set my face like a flint."
But Margaret's courage was thoroughly sweet in its temper. She accused herself in her youth of unamiable traits, but, in all the later years of her life, it is difficult to recall a moment of malevolence. The friends whom her strength of mind drew to her, her good heart held fast; and few persons were ever the objects of more persevering kindness. Many hundreds of her letters remain, and they are alive with proofs of generous friendship given and received.
Among her early friends, Mrs. Farrar, of Cambridge, appears to have discovered, at a critical moment in her career, the extraordinary promise of the young girl, and some false social position into which her pride and petulance, and the mistakes of others, had combined to bring her, and she set herself, with equal kindness and address, to make a second home for Margaret in her own house, and to put her on the best footing in the agreeable society of Cambridge. She busied herself, also, as she could, in removing all superficial blemishes from the gem. In a well-chosen travelling party, made up by Mrs. Farrar, and which turned out to be the beginning of much happiness by the friendships then formed, Margaret visited, in the summer of 1835, Newport, New York, and Trenton Falls; and, in the autumn, made the acquaintance, at Mrs. F.'s house, of Miss Martineau, whose friendship, at that moment, was an important stimulus to her mind.