LETTERS.

I fear the remark already made on that susceptibility to details in art and nature which precluded the exercise of Margaret's sound catholic judgment, must be extended to more than her connoisseurship. She had a sound judgment, on which, in conversation, she could fall back, and anticipate and speak the best sense of the largest company. But, left to herself, and in her correspondence, she was much the victim of Lord Bacon's idols of the cave, or self-deceived by her own phantasms. I have looked over volumes of her letters to me and others. They are full of probity, talent, wit, friendship, charity, and high aspiration. They are tainted with a mysticism, which to me appears so much an affair of constitution, that it claims no more respect than the charity or patriotism of a man who has dined well, and feels better for it. One sometimes talks with a genial bon vivant, who looks as if the omelet and turtle have got into his eyes. In our noble Margaret, her personal feeling colors all her judgment of persons, of books, of pictures, and even of the laws of the world. This is easily felt in ordinary women, and a large deduction is civilly made on the spot by whosoever replies to their remark. But when the speaker has such brilliant talent and literature as Margaret, she gives so many fine names to these merely sensuous and subjective phantasms, that the hearer is long imposed upon, and thinks so precise and glittering nomenclature cannot be of mere muscae volitantes, phoenixes of the fancy, but must be of some real ornithology, hitherto unknown to him. This mere feeling exaggerates a host of trifles into a dazzling mythology. But when one goes to sift it, and find if there be a real meaning, it eludes search. Whole sheets of warm, florid writing are here, in which the eye is caught by "sapphire," "heliotrope," "dragon," "aloes," "Magna Dea," "limboes," "stars," and "purgatory," but can connect all this, or any part of it, with no universal experience.

In short, Margaret often loses herself in sentimentalism. That dangerous vertigo nature in her case adopted, and was to make respectable. As it sometimes happens that a grandiose style, like that of the Alexandrian Platonists, or like Macpherson's Ossian, is more stimulating to the imagination of nations, than the true Plato, or than the simple poet, so here was a head so creative of new colors, of wonderful gleams,—so iridescent, that it piqued curiosity, and stimulated thought, and communicated mental activity to all who approached her; though her perceptions were not to be compared to her fancy, and she made numerous mistakes. Her integrity was perfect, and she was led and followed by love, and was really bent on truth, but too indulgent to the meteors of her fancy.

FRIENDSHIP.

"Friends she must have, but in no one could find
A tally fitted to so large a mind."

It is certain that Margaret, though unattractive in person, and assuming in manners, so that the girls complained that "she put upon them," or, with her burly masculine existence, quite reduced them to satellites, yet inspired an enthusiastic attachment. I hear from one witness, as early as 1829, that "all the girls raved about Margaret Fuller," and the same powerful magnetism wrought, as she went on, from year to year, on all ingenuous natures. The loveliest and the highest endowed women were eager to lay their beauty, their grace, the hospitalities of sumptuous homes, and their costly gifts, at her feet. When I expressed, one day, many years afterwards, to a lady who knew her well, some surprise at the homage paid her by men in Italy,—offers of marriage having there been made her by distinguished parties,—she replied: "There is nothing extraordinary in it. Had she been a man, any one of those fine girls of sixteen, who surrounded her here, would have married her: they were all in love with her, she understood them so well." She had seen many persons, and had entire confidence in her own discrimination of characters. She saw and foresaw all in the first interview. She had certainly made her own selections with great precision, and had not been disappointed. When pressed for a reason, she replied, in one instance,

'I have no good reason to give for what I think of ——. It is a dæmoniacal intimation. Everybody at —— praised her, but their account of what she said gave me the same unfavorable feeling. This is the first instance in which I have not had faith, if you liked a person. Perhaps I am wrong now; perhaps, if I saw her, a look would give me a needed clue to her character, and I should change my feeling. Yet I have never been mistaken in these intimations, as far as I recollect. I hope I am now.'

I am to add, that she gave herself to her friendships with an entireness not possible to any but a woman, with a depth possible to few women. Her friendships, as a girl with girls, as a woman with women, were not unmingled with passion, and had passages of romantic sacrifice and of ecstatic fusion, which I have heard with the ear, but could not trust my profane pen to report. There were, also, the ebbs and recoils from the other party,—the mortal unequal to converse with an immortal,—ingratitude, which was more truly incapacity, the collapse of overstrained affections and powers. At all events, it is clear that Margaret, later, grew more strict, and values herself with her friends on having the tie now "redeemed from all search after Eros." So much, however, of intellectual aim and activity mixed with her alliances, as to breathe a certain dignity and myrrh through them all. She and her friends are fellow-students with noblest moral aims. She is there for help and for counsel. 'Be to the best thou knowest ever true!' is her language to one. And that was the effect of her presence. Whoever conversed with her felt challenged by the strongest personal influence to a bold and generous life. To one she wrote,—

'Could a word from me avail you, I would say, that I have firm faith that nature cannot be false to her child, who has shown such an unalterable faith in her piety towards her.'

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