In that dim dream into which all surrounding things were fading, her name floated to his lips. Once, twice, thrice he repeated it to himself, lingeringly, adoringly, loving each syllable as he spoke it. He had no thought, no hope of seeing her again. She was somewhere, far away, in the midst of those direful scenes beyond him. He commended her to his gods as best he could. Then he thought of himself as at her side, the mist of her hair hiding the world from his eyes, the perfume of her breath causing his head to swim. He thought of her as she had been to him in the last months. And then—suddenly—she was with him.

Out of the gloom of the narrow street she came, searching after him, calling his name. The veil had fallen back from her pallid face. Her eyes were staring wide with fear and with the horror of blood. Her movement was slow, indeterminate, vague. Not till after he had watched her for a full minute did she come upon his figure in its pools of blood. Then, with a faint, fluttering cry she ran to him, only half-believing her poor vision. Their meeting was ineffable. She lay upon his body, eye on eye, lip on lip to him, her cries stifled by his gasping breath, her wandering hands caressing his hair, his brow, his neck, his bloody vestment. Not knowing what she did, she pulled the broken arrow from his arm, and then screamed to think of where it had been. Of the two, Belshazzar's state of mind was infinitely clearer, infinitely stronger than hers. It was with a supreme effort that he took his lips from hers that he might speak, might try to make her understand what this moment must be to them.

"Oh, thou art wounded, my king, my beloved! Look—here upon thee is blood—blood on the white of thy robe. Why art thou red?" she repeated, once and again, anxiously examining the wet, dark stains that flowed ever freshly from his body.

Belshazzar saw that her brain was turned, and his anguish became terrible. Was she to bid him good-bye like this? Must he leave her forever with the infinite unsaid? How could he bring her mind back to him, if but for one moment? He could not think. All that he could do was to say, thickly, with the blood in his mouth:

"Istar, beloved, I die! Dost thou hear?"

"Yea, Belshazzar, and I also. Allaraine hath written it upon the wall. Didst thou not see? 'Hast thou found man's relation to God? The silver sky waits for thy soul.' I also die."

"Thou!" he murmured, quickly. "Art thou wounded, Istar?" His feeble hands searched over her body, but felt no sign of blood. She had been untouched by any weapon. And now his eyes grew dull with suffering, and he said, faintly, and with reluctance: "Fare thee far and well, my Istar—Istar of my city. I go."

"Belshazzar!"

What it had been, tone or word of his, that roused her at last, the dying man could not tell. But that name rang through the night in a scream of living agony. Now she knew what it meant—that her Babylon was fallen around her—that the world was empty—that the lord of her life was passing—that henceforward her way lay through the valley of loneliness. What mattered now the writing on the wall, hopeless prophecy of her own death? Belshazzar was here, beneath her, dying; while she—Istar—his wife—had received no wound.

She raised him in her arms and their eyes met for the last time. How much passed in the look cannot be told, for it was a final mingling of souls. All their love, their infinite happiness, their sorrow, their tears unshed, the humanity of their two lives, was embodied in that look. Grief of parting was not there, for the two were striving to make parting endurable, each to each, by the look. It was finished at last, with Belshazzar's whispered words: