In such manner are conducted the love affairs of the average young people of the same village, and of the plebeian young people of neighbouring villages. From this free and easy experimentation, the taupo is excepted. Virginity is a legal requirement for her. At her marriage, in front of all the people, in a house brilliantly lit, the talking chief of the bridegroom will take the tokens of her virginity.[3] In former days should she prove not to be a virgin, her female relatives fell upon and beat her with stones, disfiguring and sometimes fatally injuring the girl who had shamed their house. The public ordeal sometimes prostrated the girl for as much as a week, although ordinarily a girl recovers from first intercourse in two or three hours, and women seldom lie abed more than a few hours after childbirth. Although this virginity-testing ceremony was theoretically observed at weddings of people of all ranks, it was simply ignored if the boy knew that it was an idle form, and “a wise girl who is not a virgin will tell the talking chief of her husband, so that she be not shamed before all the people.”
[3] This custom is now forbidden by law, but is only gradually dying out.
The attitude towards virginity is a curious one. Christianity has, of course, introduced a moral premium on chastity. The Samoans regard this attitude with reverent but complete scepticism and the concept of celibacy is absolutely meaningless to them. But virginity definitely adds to a girl’s attractiveness, the wooing of a virgin is considered far more of a feat than the conquest of a more experienced heart, and a really successful Don Juan turns most of his attention to their seduction. One youth who at twenty-four married a girl who was still a virgin was the laughing stock of the village over his freely related trepidation which revealed the fact that at twenty-four, although he had had many love affairs, he had never before won the favours of a virgin.
The bridegroom, his relatives and the bride and her relatives all receive prestige if she proves to be a virgin, so that the girl of rank who might wish to forestall this painful public ceremony is thwarted not only by the anxious chaperonage of her relatives but by the boy’s eagerness for prestige. One young Lothario eloped to his father’s house with a girl of high rank from another village and refused to live with her because, said he, “I thought maybe I would marry that girl and there would be a big malaga and a big ceremony and I would wait and get the credit for marrying a virgin. But the next day her father came and said that she could not marry me, and she cried very much. So I said to her, ‘Well, there is no use now to wait any longer. Now we will run away into the bush.’” It is conceivable that the girl would often trade the temporary prestige for an escape from the public ordeal, but in proportion as his ambitions were honourable, the boy would frustrate her efforts.
Just as the clandestine and casual “love under the palm trees” is the pattern irregularity for those of humble birth, so the elopement has its archetype in the love affairs of the taupo, and the other chiefs’ daughters. These girls of noble birth are carefully guarded; not for them are secret trysts at night or stolen meetings in the day time. Where parents of lower rank complacently ignore their daughters’ experiments, the high chief guards his daughter’s virginity as he guards the honour of his name, his precedence in the kava ceremony or any other prerogative of his high degree. Some old woman of the household is told off to be the girl’s constant companion and duenna. The taupo may not visit in other houses in the village, or leave the house alone at night. When she sleeps, an older woman sleeps by her side. Never may she go to another village unchaperoned. In her own village she goes soberly about her tasks, bathing in the sea, working in the plantation, safe under the jealous guardianship of the women of her own village. She runs little risk from the moetotolo, for one who outraged the taupo of his village would formerly have been beaten to death, and now would have to flee from the village. The prestige of the village is inextricably bound up with the high repute of the taupo and few young men in the village would dare to be her lovers. Marriage to them is out of the question, and their companions would revile them as traitors rather than envy them such doubtful distinction. Occasionally a youth of very high rank in the same village will risk an elopement, but even this is a rare occurrence. For tradition says that the taupo must marry outside her village, marry a high chief or a manaia of another village. Such a marriage is an occasion for great festivities and solemn ceremony. The chief and all of his talking chiefs must come to propose for her hand, come in person bringing gifts for her talking chiefs. If the talking chiefs of the girl are satisfied that this is a lucrative and desirable match, and the family are satisfied with the rank and appearance of the suitor, the marriage is agreed upon. Little attention is paid to the opinion of the girl. So fixed is the idea that the marriage of the taupo is the affair of the talking chiefs that Europeanised natives on the main island, refuse to make their daughters taupos because the missionaries say a girl should make her own choice, and once she is a taupo, they regard the matter as inevitably taken out of their hands. After the betrothal is agreed upon the bridegroom returns to his village to collect food and property for the wedding. His village sets aside a piece of land which is called the “Place of the Lady” and is her property and the property of her children forever, and on this land they build a house for the bride. Meanwhile, the bridegroom has left behind him in the house of the bride, a talking chief, the counterpart of the humbler soa. This is one of the talking chief’s best opportunities to acquire wealth. He stays as the emissary of his chief, to watch over his future bride. He works for the bride’s family and each week the matai of the bride must reward him with a handsome present. As an affianced wife of a chief, more and more circumspect conduct is enjoined upon the girl. Did she formerly joke with the boys of the village, she must joke no longer, or the talking chief, on the watch for any lapse from high decorum, will go home to his chief and report that his bride is unworthy of such honour. This custom is particularly susceptible to second thought on the part of either side. Does the bridegroom repent of the bargain, he bribes his talking chief (who is usually a young man, not one of the important talking chiefs who will benefit greatly by the marriage itself) to be oversensitive to the behaviour of the bride or the treatment he receives in the bride’s family. And this is the time in which the bride will elope, if her affianced husband is too unacceptable. For while no boy of her own village will risk her dangerous favours, a boy from another village will enormously enhance his prestige if he elopes with the taupo of a rival community. Once she has eloped, the projected alliance is of course broken off, although her angry parents may refuse to sanction her marriage with her lover and marry her for punishment to some old man.
So great is the prestige won by the village, one of whose young men succeeds in eloping with a taupo, that often the whole effort of a malaga is concentrated upon abducting the taupo, whose virginity will be respected in direct ratio to the chances of her family and village consenting to ratify the marriage. As the abductor is often of high rank, the village often ruefully accepts the compromise.
This elopement pattern, given meaning by the restrictions under which the taupo lives and this inter-village rivalry, is carried down to the lower ranks where indeed it is practically meaningless. Seldom is the chaperonage exercised over the girl of average family severe enough to make elopement the only way of consummating a love affair. But the elopement is spectacular; the boy wishes to increase his reputation as a successful Don Juan, and the girl wishes to proclaim her conquest and also often hopes that the elopement will end in marriage. The eloping pair run away to the parents of the boy or to some of his relatives and wait for the girl’s relatives to pursue her. As one boy related the tale of such an adventure: “We ran away in the rain, nine miles to Leone, in the pouring rain, to my father’s house. The next day her family came to get her, and my father said to me, ‘How is it, do you wish to marry this girl, shall I ask her father to leave her here?’ And I said, ‘Oh, no. I just eloped with her for public information.’” Elopements are much less frequent than the clandestine love affairs because the girl takes far more risk. She publicly renounces her often nominal claims to virginity; she embroils herself with her family, who in former times, and occasionally even to-day, would beat her soundly and shave off her hair. Nine times out of ten, her lover’s only motive is vanity and display, for the boy’s say, “The girls hate a moetotolo, but they all love an avaga (eloping) man.”
The elopement also occurs as a practical measure when one family is opposed to a marriage upon which a pair of young people have determined. The young people take refuge with the friendly side of the family. But unless the recalcitrant family softens and consents to legalise the marriage by a formal exchange of property, the principals can do nothing to establish their status. A young couple may have had several children and still be classed as “elopers,” and if the marriage is finally legalised after long delay, this stigma will always cling to them. It is far more serious a one than a mere accusation of sexual irregularity, for there is a definite feeling that the whole community procedure has been outraged by a pair of young upstarts.
Reciprocal gift-giving relations are maintained between the two families as long as the marriage lasts, and even afterwards if there are children. The birth of each child, the death of a member of either household, a visit of the wife to her family, or if he lives with her people, of the husband to his, is marked by the presentation of gifts.
In premarital relationships, a convention of love making is strictly adhered to. True, this is a convention of speech, rather than of action. A boy declares that he will die if a girl refuses him her favours, but the Samoans laugh at stories of romantic love, scoff at fidelity to a long absent wife or mistress, believe explicitly that one love will quickly cure another. The fidelity which is followed by pregnancy is taken as proof positive of a real attachment, although having many mistresses is never out of harmony with a declaration of affection for each. The composition of ardent love songs, the fashioning of long and flowery love letters, the invocation of the moon, the stars and the sea in verbal courtship, all serve to give Samoan love-making a close superficial resemblance to our own, yet the attitude is far closer to that of Schnitzler’s hero in The Affairs of Anatol. Romantic love as it occurs in our civilisation, inextricably bound up with ideas of monogamy, exclusiveness, jealousy and undeviating fidelity does not occur in Samoa. Our attitude is a compound, the final result of many converging lines of development in Western civilisation, of the institution of monogamy, of the ideas of the age of chivalry, of the ethics of Christianity. Even a passionate attachment to one person which lasts for a long period and persists in the face of discouragement but does not bar out other relationships, is rare among the Samoans. Marriage, on the other hand, is regarded as a social and economic arrangement, in which relative wealth, rank, and skill of husband and wife, all must be taken into consideration. There are many marriages in which both individuals, especially if they are over thirty, are completely faithful. But this must be attributed to the ease of sexual adjustment on the one hand, and to the ascendency of other interests, social organisation for the men, children for the women, over sex interests, rather than to a passionate fixation upon the partner in the marriage. As the Samoans lack the inhibitions and the intricate specialisation of sex feeling which make marriages of convenience unsatisfactory, it is possible to bulwark marital happiness with other props than temporary passionate devotion. Suitability and expediency become the deciding factors.