With Edinburgh, wind-swept and grey, with its biting breeze, its swirling dust of March, there will always be associated in my mind certain memories of Robert Louis Stevenson, and of that happy home of the Stevenson family, 17 Heriot Row. In summer sunshine Swanston, lying cosily at the foot of the Pentlands, claimed them year by year, but every winter found them, for business or pleasure, established in that most homelike house, the windows of which, to the front, looked into the Heriot Row gardens, and at the back, from that upper flat where was the book-lined study of the son of the house, snatched a glimpse, over roofs and chimney cans, of the gold-fringed shores of Fife.

Across the blue Forth in Fife, at the little seaside town of Leven, well known to golfing fame, there had settled in 1866 an uncle of R. L. Stevenson, Dr John Balfour, who was noted for his gallantry and skill throughout the Indian Mutiny, and in more than one outbreak of cholera in India and at home. Of the town and the man Mr Stevenson gives a graphic picture in Random Memories, when describing a visit to the Fife coast, where his father was making an inspection of lights and harbours.

In 1849 when home on leave Dr Balfour volunteered to go to Davidson's Mains, in the parish of Cramond, where as a specialist in cholera symptoms he was amazed to find the outbreak as virulent and as fatal as the Asiatic cholera he had seen in India. In 1866, when another wave of cholera swept over Britain, he was asked to go to Slateford, where he coped with its ravages almost single-handed, saving life in every case after he went, except those already too far gone before his arrival. In late autumn of the same year the scourge broke out seriously in the small towns on the coast of Fife, and Dr Balfour went to Leven, where the doctor had just died of it, and a state of panic prevailed, and there too he succeeded in quickly stamping it out.

Having retired from his Indian appointment he felt idle time hang heavy on hand, so he acceded to the request of the inhabitants and went to Leven to take up practice there. His wife, who was a cousin of his own, and their four children, shortly after followed him from Edinburgh, and he built a house called 'The Turret' there, where he remained until his greatly lamented death in 1887.

There from childhood I grew up in intimate friendship with the young Balfours, and went out and in to the doctor's house, receiving in it such kindness from parents and children that it was regarded by me as a second home, and its inmates were looked upon as one's 'ain folk.' As one's 'ain folk,' too, by-and-bye, were regarded those other Balfour families, notably Dr George W. Balfour's household and Miss Balfour, and the nephews and nieces who had their home with her—who made of the little Fife town their holiday resort. Later an Edinburgh school and long visits to Edinburgh relatives made the Scotch capital as familiar to me as Fife; and then the Stevenson family in their home at Heriot Row were added to the little circle of friends, now, alas! so thinned by grievous blanks. Old and young have passed into 'The Silent Land,' and life is infinitely the poorer for those severed friendships—those lost regards of early days.

Not a few of the old folk were notable in their time, some of the younger generation have made, or mean to make, some stir in the world. But round none of them gathers so much of romance of honour and of distinction as about Robert Louis Stevenson, who used to visit his uncle's house in Leven, doubtless from one of those expeditions to Anstruther, of which he tells us that he spent his time by day in giving a perfunctory attention to the harbour, at which his father's firm were working, and lived his real life by night scribbling romances in his lodgings. It is on record that he felt a thrill of well-merited pride when an Anstruther small boy pointed to him, as he stood beside the workmen, and said: 'There's the man that's takin' charge.' But he assuredly knew more of pleasure in his hours of scribbling than in his hours of inspection, although the out-of-door, wind-swept, wave-splashed part of engineering was never so abhorrent to him as office work. In the office he was known very little; but tradition has it that a small pile of evil spellings is still treasured there as a characteristic memento of the genius, and the thought has been known to comfort the sad hearts of other apprentice engineers afflicted with a like shakiness in their orthography, that the now much appreciated man of letters once shared their melancholy failing.

Stories of all sorts were handed about in our little clique of the wondrous Robert Louis whose sayings and doings were already precious to an appreciative circle of relatives and friends. But it was not till sometime in the autumn of 1869 that he first became personally known to me.

The introduction took place on a September afternoon in the drawing-room of 'The Turret,' and he inspired a great deal of awe in a youthful admirer who even then had literary aspirations, and who therefore looked up to him with much respect as someone who already wrote. From that time he was regarded as one of the quaintest, the most original and the most charming personalities among one's acquaintances. There was about him, in those days, a whimsical affectation, a touch of purely delightful vanity that never wholly left him in later life, and that far from repelling, as it would have done in any one more commonplace, was so intrinsically a part of his artistic nature that it was rather attractive than otherwise. Full of delightful humour, his idlest sayings—when he took the trouble to say anything which he frequently did not!—were teeming with the elements not only of laughter but of thought, and you wondered, long after you had talked with him, why it was that you saw new lights on things, and found food for mirth and matter for reflection where neither had suggested itself before.

In those days he was not only original himself, but he had to a great degree that rare faculty of bringing to the surface in others the very smallest spark of originality, and of remembering it and appreciating it in a way that was stimulating and helpful to those who had the pleasure of knowing him. When the little seaside town was empty of visitors, and it was not time to pay Edinburgh visits for the season, in February and March, one kindness of his was very greatly prized by some of us who beguiled the tedium of the winter months by writing for and conducting an amateur magazine, called Ours. For this, in 1872 and 1873, Mr Stevenson gave us a short contribution, The Nun of Aberhuern, a trifle in his own graceful style, which, as he was even then beginning to be known in the world of letters, we valued much. Moreover, he took a friendly interest in the sheets of blue MS. paper so closely written over with our somewhat juvenile productions, and made here a criticism, there a prediction, which has not been without its effect on the future work of some of us.

Mr Stevenson was always kind and always sympathetic; he laughed at your follies of course, but he did it so pleasantly that the laughter seemed almost a compliment, and the kindness was more memorable than the mirth. In one among his juniors at least, imbued like himself with a love of old-time romance and of ancient story, he inspired a passion of gratitude that abides to this day. Mr Stevenson not only never laughed, as the other boys and girls did, nor treated the memory of delightful childish plays with contempt, as was the fashion of the generation just grown up, he never even smiled over the unfeminine tastes of a child who went pirate-hunting in an upturned table with a towel for a sail and dried orange skins for provender—or whose dolls were not treated as those dainty girlish playthings ought to be, as pretty babies and gay society dames, but figured as the tattered and battered followers of Prince Charlie—himself a hero very much the worse for the wear in a plaid and a kilt!—after Culloden. Or, in gayer moods, the same dolls attended his receptions at Holyrood in garish garments, or masqueraded as Mary Queen of Scots and her four Maries in that 'turret chamber high of ancient Holyrood' where 'she summoned Rizzio with his lute and bade the minstrel play.'