PART TWO
CHAPTER I
THE FLOWERING
“You’re very trying, Magda. Everyone is talking about you, and I’m tired of trying to explain you to people.”
Lady Arabella paused in her knitting and spoke petulantly, but a secret gleam of admiration in her sharp old eyes as they rested upon her god-daughter belied the irritation of her tones.
Magda leaned back negligently against the big black velvet cushions in her chair and lit a cigarette.
“I want everyone to talk about me,” she returned composedly. Her voice was oddly attractive—low-pitched and with a faint blur of huskiness about it that caught the ear with a distinctive charm. “It increases the box-office receipts. And there’s no reason in the world for you to ‘explain’ me to people.”
Her godmother regarded her with increasing irritation, yet at the same time acutely conscious of the arresting quality of the young, vividly alive face that gleamed at her from its black-velvet background.
Ten years had only served to emphasise the unusual characteristics of the child Magda. Her skin was wonderful, of a smooth, creamy-white texture which gave to the sharply angled face something of the pale, exotic perfection of a stephanotis bloom. Her eyes were long, the colour of black pansies—black with a suggestion of purple in their depths. They slanted upwards a little at the outer corners, and this together with the high cheek-bones, alone would have betrayed her Russian ancestry. When Lady Arabella wanted to be particularly obnoxious she told her that she had Mongolian eyes, and Magda would shrug her shoulders and, thrusting out a foot which was so perfect in shape that a painting of it by a certain famous artist had been the most talked-of picture of the year, would reply placidly: “Well, thank heaven, that’s not English, anyway!”