Suddenly becoming conscious that she was staring rather openly, she turned her eyes away and looked out of the window, and immediately encountered a big broad label, pasted on to the glass, with the word "Reserved" printed on it in capital letters. The letters, of course, appeared reversed to any one inside the carriage, but they were so big and black and hectoring that they were quite easily deciphered.
Evidently, in his violent haste to get her on board the train, the porter had thrust her into the privacy of some one's reserved compartment that some one being the man opposite. What a horrible predicament! Diana felt hot all over with embarrassment, and, starting to her feet, stammered out a confused apology.
The man in the corner raised his head.
"It does not matter in the least," he assured her indifferently. "Please do not distress yourself. I believe the train is very crowded; you had better sit down again."
The chilly lack of interest in his tones struck Diana with an odd sense of familiarity, but she was too preoccupied to dwell on it, and began hastily to collect together her dressing-case and other odds and ends.
"I'll find another seat," she said stiffly, and made her way out into the corridor of the rocking train.
Her search, however, proved quite futile; every compartment was packed with people hurrying out of town for Easter, and in a few moments she returned.
"I'm sorry," she said, rather shyly. "Every seat is taken. I'm afraid you'll have to put up with me."
Just then the carriage gave a violent lurch, as the express swung around a bend, and Diana, dropping everything she held, made a frantic clutch at the rack above her head, while her goods and chattels shot across the floor, her dressing-case sliding gaily along till its wild career was checked against the foot of the man in the corner.
With an air of resignation he rose and retrieved her belongings, placing them on the seat opposite her.