Perhaps the first vital realization came to Sylvia as it came to nearly every one in this country through individual testimony of friends. Even in September, rumor reached her that John Armstrong's money had helped to establish and support a field hospital "somewhere in France," that his wife and her sister Hilda were regular Red Cross nurses. And in October had come a letter from Hilda herself, describing simply but with the fearful graphicness of the bare truth, the horrors, the miracles, the splendid thrills, the supreme satisfaction of the work she and Constance had undertaken. John was driving a relief Ambulance near the battle line. Bertram was at the front somewhere. Bertram, it appeared, was the young Englishman to whom the writer had very recently become engaged after a romantically brief acquaintance. Of course it was horrible, Hilda admitted, having him there, but then she wouldn't want him not to want to be there.

All this Sylvia read with absorbed interest and straightway dispatched a generous check to John Armstrong. But giving money being altogether insufficient to express her abounding sympathy she also learned to knit, to Jack's huge delectation and much raillery, and resolutely set herself to making sponges and rather eccentric looking hose, though this process, too, scarcely satisfied her when she thought of what her friend was doing over in France. In fact, it satisfied her so little that she very speedily abandoned it entirely wherein she was rather like a good many other American women. "A thousand shall fall at thy right hand but it shall not come nigh thee" seemed to be America's motto in those days.

Perhaps the thing which came nearest, that autumn, to offering Sylvia an outlet for her restless energy was her music. She was an excellent accompanist and she and Gus Nichols spent much time together previous to his departure for the concert tour which was to begin early in November. And while Sylvia was intent on her own dreams and quandaries, weaving much she scarcely understood herself into the music, she had not the slightest perception that these hours she gave the young violinist meant anything more to him than to herself, an agreeable mutual expression in a loved art. "Music is Love in search of a word" and if the boy's violin struggled more than once to tell her what his lips would never have ventured on, Sylvia, with her mind on other things, did not hear.

Long enthusiastic letters came frequently from Suzanne, ensconced, according to schedule, in a dingy studio in the Square where one is not encumbered with needless luxuries like steam heat and bath tubs and electricity, where one steeps in "Atmosphere," and pays far more than he can afford for the privilege of living very uncomfortably but artistically. Her letters reeked of Bohemia, of "Polly's" and "Bruno's Garret," of the delicious glamour and picturesqueness of the inimitable Village, of the thrill and stimulus of the whole marvelous city of which the Village was a unique part.

Barb, too, wrote often, though with less abandon of rejoicement in her new way of life. It was all "interesting." Aunt Jo was "wonderful." The Metropolitan was "magnificent." People were "kind." But there was a faint panic-stricken note beneath it all, at first, which made Sylvia wonder if poor Barbara were a little submerged by the very seething whirlpool which was such supreme delight to Suzanne. It was as if both were on a "Merry-Go-Round," and Suzanne kept clapping her hands and crying "Faster! Faster!" while Barb's timid "pansy" eyes begged in silence for a safer, less mad rate of revolution.

Aside from her aunt, of whom Barb could never say enough, the person most frequently mentioned in her letters was Philip Lorrimer. "Dr. Lorrimer is so good to me." "Dr. Lorrimer took me to a roof garden last night." "Phil and I rode over on the ferry to Staten Island to cool off last evening." "Phil just came in and sends greetings. He is going to take me to a Socialist meeting soon." "Aunt Jo likes Phil so much," and so forth.

And though Sylvia made no comment on this new development it gave her cause for reflection. Sylvia was more than ever "at sea" these days. That sunset moment on Lover's Leap had been an illuminating moment for her and she guessed it had been one for Phil also. Though she told herself later she must have been mistaken, she knew in her heart she had not been so. The look in Phil's eyes as they had met hers that moment was unmistakable, more eloquent than volumes of speech. She had felt the same thing vibrating in his voice when later he had bidden her "Good night" and "Good-by" and stepped into Jack's car, something which met a quick leap of response in herself. Sylvia was very woman and she knew what had happened, though she did not know whether the thing was going to be permanent or not.

All that next day and the next and for a week beyond she watched the mails, pretending to herself, feminine wise, that she was doing nothing of the sort. And, finally, when on the tenth day a brotherly, brief, impersonal, not to say casual, note came from New York in Phil's big sprawling hand, she felt as if a shower of icy water had been hurled at her. Not that she wanted Phil to ask her to marry him, not that she was at all sure she would have said yes if he had asked her. She was by no means certain it would not be Jack to whom she would surrender when the time came for surrender. At least so she told herself to save her pride. Certainly she was far from ready to marry any man that Fall, sincerely desirous as she was to belong to herself awhile as she had told Jack. Nevertheless Phil's very discretion angered and hurt her. Every now and then she was tortured by an agonizing fear that in the strange exhilaration of that moment in the forest she might have betrayed to him more than she had been in any degree willing to admit to herself. Consequently, Philip Lorrimer, M.D., got very few and very brief letters from Arden Hall those golden autumn days.

Neither is it strange that out of favor with his "Faraway Princess" Phil turned to sympathetic little Barbara in his few idle hours. Not that he took Barb into his confidence. Indeed there were no confidences to make. To no one in the world would he have admitted that Sylvia's apparent indifference hurt. Sylvia had the right to ignore him if she chose. The Queen could do no wrong. Nor was there anything to say about the rumors which reached him frequently that Sylvia and Jack were often together, and that an engagement was obviously to be expected if not already secretly in existence. That, too, he had counted on as a possibility when he had told Jack there was no reason for him to "clear out." Phil Lorrimer was man enough to want the lady of his heart to be free in her choice. Had he been in Jack's position he would have entered the race and run, neck and neck, beside his rival and abided the end whatever it was. But he was handicapped, or so he believed, by his poverty, so he set his teeth and stood out of the way leaving Jack a clear road. If Jack could win--well, it meant Sylvia cared, that was all. Phil's philosophy was a very simple one.

In the meantime there was work. And Phil was the kind to be able to assuage nearly every mortal ill in work. In the strenuous demands of the day-time hours at the hospital he had little chance to brood over any personal woes and when night came on he took what consolation he could, man fashion, from another woman's obvious pleasure in his society, never once suspecting he was playing with edged tools any more than Barb herself did. Of the physiological action of the heart Phil Lorrimer knew a great deal but of the more subtle manifestations of that organ he knew astonishingly little.