At a turn in the road the view had opened. There, in a great orchard on the side of the hill, the peasants were gathering olives before the coming of the frost. There were scores of pickers wearing great gay-colored aprons in which they placed the olives as they gathered them from the trees. Ladders leaned against knotty tree trunks; baskets filled with the green fruit stood on the ground. Ladder and basket suggested the apple orchards of her native land, but the motley colors of kerchief and apron, yellow, magenta, turquoise, and green, and the gray of the eternal olive trees with the deep blue of the sky behind them, recalled her to the enchanted country where she was fast losing the landmarks of home.
"Signorina Daphne," said Bertuccio, speaking slowly as to a child, "did you ever hear them tell of the maiden on the hills up here who was carried away by a god?"
Daphne turned swiftly and tried to read his face. It was no less expressionless than usual.
"No," she answered. "Tell me. I am fond of stories."
They were climbing the winding road again, leaving the olive pickers behind. Bertuccio walked near, holding the donkey's tail to steady his steps.
"It was long ago, ages and ages. Her father had the care of an olive orchard that was old, older than our Lord," said Bertuccio, devoutly crossing himself. "There was one tree in it that was enormously big, as large as this,—see the measure of my arms! It was open and hollow, but growing as olives will when there is every reason why they should be dead. One night the family were eating their polenta—has the Signorina tasted our polenta? It makes itself from chestnuts, and it is very good. I must speak to my mother to offer some to the Signorina. Well, the door opened without any knocking, and a stranger stood there: he was young, and beyond humanity, beautiful."
Bertuccio paused; the girl felt slow red climbing to her cheek. She dared not look behind, yet she would have given half her possessions to see the expression of his face. Leaning forward, she played with the red tassels at San Pietro's ears.
"Go on! go on!" she commanded. "Avanti!"
San Pietro thought that the words were meant for him, and indeed they were more appropriate here for donkey than for man.
"He sat with them and shared their polenta," continued Bertuccio, walking more rapidly to keep up with San Pietro's quickened step. "And he made them all afraid. It was not that he had any terrible look, or that he did anything strange, only, each glance, each motion told that he was more than merely man. And he looked at the maiden with eyes of love, and she at him," said Bertuccio, lacking art to keep his hearer in suspense. "She too was beautiful, as beautiful, perhaps, as the Signorina," continued the story-teller.