“Certainly,” and out of his pocket came tickets for the opera or theater, his chief pleasures.
“But we shouldn’t,” I remonstrated as I ruffled a sheaf of bills before him.
Nevertheless, we used the tickets.
Every architect wants to embody his ideas at least once in his own home. Ours was “modern” in its square simplicity and unadorned surfaces of stuccoed hollow tile, even being called a show house; people came from afar to study it. It was designed to have a large nursery opening on a veranda overlooking the Hudson, a studio, a bath with each bedroom, fireplaces everywhere, and one especially capacious in the big library. From this room the open stairway, forking at the lower landing with a few steps leading down into the kitchen, reached up the wall to the second story.
The house took long to complete, but it was fun. The moment Bill finished his work in New York he was back at it. Theoretically he supervised at night and the builder built by day. But when an arch did not turn out to be a perfect arch, seizing an ax, he chopped out part of it, usually pounding his fingers in the process. The neighbors, careful of their pennies, held their ears at the clatter and clamor and exclaimed, “There goes another partition.” When the contractor returned in the morning he found his previous day’s work demolished. Some portions were entirely done over two or three times.
The color on the woodwork we applied ourselves by artificial light, plumped on our knees or stretching high overhead. If the effect were wrong, we had to match it all up again. Evening after evening we labored on the rose window which was to crown with radiance the head of the staircase. Far into the night we leaded and welded together every glowing petal. Our fingers were cut, our nerves were irritated, our eyes fatigued. But tireless love went into the composition of this rose window which symbolized the stability of our future. We were aiming at permanence and security, and our efforts seemed to be fused into indestructible unity. It was our keystone of beauty.
After the tedious worrying over details we suddenly became too impatient to wait any more, and, in spite of the raw condition of the house, late one February afternoon of half-sleet, half-rain, a moving van pulled up to our front door. Through the semi-twilight boxes, crates, and barrels were carted in.
The four-year-old Stuart was not well. We put him early to bed, and Bill stirred up a roaring fire in the furnace against the increasing cold. Then with hammer and claw we turned to our treasures, which we had not seen for such a time. It was like opening packages on Christmas morning. We had almost forgotten the tapestry Mary had sent from Persia, the rug from Egypt, Bill’s paintings. “What’s in this box? Oh, look here! See what I’ve found!” A flood of color inundated us. We tried out their warmth against our immaculate walls and floors. I was carrying my second baby and was tired hours before I wanted to stop. As I climbed up to bed I gazed down happily on the litter below.
Some time later I heard dimly through my sleep a pounding, and woke to realize it was the German maid at the door, crying, “Madam. Come! Fire in the big stove!”
We jumped out of bed. Acrid smoke was in our nostrils, and we were swept by the horror of fire by night. Bill shouted to me, “Get right out! I’ve got to give the alarm.”