Mother’s sensitivity to beauty found some of its expression in flowers. We had no money with which to buy them, and she had no time to grow them, but the woods and fields were our garden. I can never remember sitting at a table not brightened with blossoms; from the first spring arbutus to the last goldenrod of autumn we had an abundance.
Although this was the Victorian Age, our home was almost free from Victorianism. Father himself had made our furniture. He had even cut and polished the slab of the big “marble-topped table,” as it was always called. Only in the spare room stood a piece bought at a store—a varnished washstand. The things you made yourself were not considered quite good enough for guests. Sometimes father’s visitors were doctors, teachers, or perhaps the village priest, but mostly they were the artisans of the community—cabinet makers, masons, carpenters who admired his ideas as well as shared his passion for hunting. In between tramping the woods and talking they had helped to frame and roof the house, working after hours to do this.
Father, Michael Hennessy Higgins, born in Ireland, was a nonconformist through and through. All other men had beards or mustaches—not he. His bright red mane, worn much too long according to the family, swept back from his massive brow; he would not clip it short as most fathers did. Actually it suited his finely-modeled head. He was nearly six feet tall and hard-muscled; his keen blue eyes were set off by pinkish, freckled skin. Homily and humor rippled unceasingly from his generous mouth in a brogue which he never lost. The jokes with which he punctuated every story were picked up, retold, and scattered about. When I was little they were beyond me, but I could hear my elders laughing.
The scar on father’s forehead was his badge of war service. When Lincoln had called for volunteers against the rebellious South, he had taken his only possessions, a gold watch inherited from his grandfather and his own father’s legacy of three hundred dollars, and had run away from his home in Canada to enlist. But he had been told he was not old enough, and was obliged to wait impatiently a year and a half until, on his fifteenth birthday, he had joined the Twelfth New York Volunteer Cavalry as a drummer boy.
One of father’s adventures had been the capture of a Confederate captain on a fine mule, the latter being counted the more valuable acquisition to the regiment. We were brought up in the tradition that he had been one of three men selected by Sherman for bravery. That made us very proud of him. Better not start anything with father; he could beat anybody! But he himself had been appalled by the brutalities of war; never thereafter was he interested in fighting, unless perhaps his Irish sportsmanship cropped out when two well-matched dogs were set against each other.
Immediately upon leaving the Army father had studied anatomy, medicine, and phrenology, but these had been merely for perfecting his skill in modeling. He made his living by chiseling angels and saints out of huge blocks of white marble or gray granite for tombstones in cemeteries. He was a philosopher, a rebel, and an artist, none of which was calculated to produce wealth. Our existence was like that of any artist’s family—chickens today and feathers tomorrow.
Christmases were on the poverty line. If any of us needed a new winter overcoat or pair of overshoes, these constituted our presents. I was the youngest of six, but after me others kept coming until we were eleven. Our dolls were babies—living, wriggling bodies to bathe and dress instead of lifeless faces that never cried or slept. A pine beside the door was our Christmas tree. Father liked us to use natural things and we had to rely upon ingenuity rather than the village stores, so we decorated it with white popcorn and red cranberries which we strung ourselves. Our most valuable gift was that of imagination.
We had little time for recreation. School was five miles away and we had to walk back and forth twice a day as well as perform household duties. The boys milked the cow, tended the chickens, and took care of Tom, the old white horse which pulled our sleigh up and down the hill. The girls helped put the younger children to bed, mended clothes, set the table, cleaned the vegetables, and washed the dishes. We accepted all this with no sense of deprivation or aggrievement, being, if anything, proud of sharing responsibility.
And we made the most of our vacations. There were so many of us that we did not have to depend upon outsiders, and Saturday afternoons used to put on plays by ourselves in the barn. Ordinarily we were shy about displaying emotions; we looked upon tears and temper in other homes with shocked amazement as signs of ill-breeding. Play-acting, however, was something else again. Here we could find outlet for histrionic talent and win admiration instead of lifted eyebrows. I rather fancied myself as an actress, and often mimicked some of the local characters, to the apparent pleasure of my limited audience of family and neighbors. It was not long before I slipped into declaiming. The Lady of Lyons was one of my specialties:
This is thy palace, where the perfumed light