“No,” he said a little pompously, it must be confessed, “try the most difficult thing you know and even if you do not make an entire success of it I will be better able to judge what you can do.” The man spoke in a hoarse, strained voice which to Betty’s ears sounded forced and peculiar.
“Would you—would you think it very foolish if I tried Juliet’s speech before she takes the poison?” Polly then asked timidly. “I know I can’t do it very well, it is one of the greatest speeches in the whole world of acting, but perhaps for that very reason I like to attempt it.”
Polly had thrown off her red coat and hat in the hall, but she was wearing her best frock, a simple cashmere made in a single piece, with a crushed velvet belt of a darker shade and a collar and cuffs of real Irish lace which her mother had sent as a Christmas gift from Ireland. Her hair was very dark and her coloring vivid, so perhaps she did not look so utterly unlike the Italian Juliet, whom it is difficult for us to believe was only fourteen at the time of her tragic love story.
“Farewell,—and God knows when we shall meet again,” Polly began in a far less melodramatic fashion than one might have expected; indeed, Betty thought her voice exquisitely pathetic and appealing and even Meg, who had not the slightest sympathy with Polly’s dramatic aspirations, was subtly impressed.
“I have a faint cold fear thrills through my veins,
That almost freezes up the heat of life.
I’ll call them back again to comfort me.—
Nurse!—What should she do here?
My dismal scene I needs must act alone.
Come, phial.