Half an hour they drove through the narrow, winding streets of the Latin quarter, the three American girls fascinated by the unique scenes, which were a matter of course to Marguerite Arnot, who had spent years of her life in this vicinity.

Along the route were numerous small art shops filled with posters, some of them continuing to represent war and others the approach of peace. The posters were painted in bold, crude colors, or else in pastels. The figures were sometimes bizarre and sometimes beautiful, but always they were unusual, since the French artist has an unusual gift for poster work.

At one of the small art shops, Bettina insisted that they dismount for a few moments. She had spied a poster in the window which she wished to purchase for Mrs. Burton. Oddly the figure of the woman, although symbolizing France, was not unlike Mrs. Burton. The drawing represented a woman dark and slender, with a small head and heavy black hair, with delicate and large, expressive eyes. In the drawing the woman had gathered into her arms the children of France. Above the woman and children, seated at a small table, were a group of men who were supposed to be writing the terms of a new world peace. The idea of the poster undoubtedly was that no matter what the peace terms might be, France would continue to protect her children. It was entitled “Glorious France.”

Beyond this art shop, a few blocks further on, Marguerite Arnot ordered the cab to stop before a house where lived the friends to whom she was to introduce the three American girls.

Bettina stopped to pay the cabman, who was the typical French cab driver in a tall battered silk hat, the girl drivers having nearly all disappeared soon after the signing of the armistice.

The other girls went on and stood at the door talking to the concierge.

Instead of joining them at once, Bettina stood hesitating at the edge of the sidewalk. Never before had she beheld such a street, or such a house as they were about to enter! The street was narrow and dark, the house had a grey, poverty stricken look and was curiously forbidding. There were no people near save a few old women talking together.

Then Bettina secretly reproached herself for her own absurdity and false attitude.

Marguerite Arnot had explained that the old house where she had once lived and where her friends were still living, was in one of the humblest quarters in Paris. The girls were able to support themselves only in the poorest fashion by being apprenticed to French dressmakers.

Bettina Graham really had no sense of superiority because of her wealth and social position. Never for a moment did she forget that her own father had been an extremely poor boy who against every family disadvantage had worked his way to a distinguished position.