As Sally drew near she felt a little desolate and yet she was not frightened, although a proverbial coward.
The place appeared too abandoned to fear that any living thing could be in its vicinity. It was only that one felt the pity of the destruction of this ancient and beautiful home.
The waste and confusion of war troubled Sally as it does all women. So hard it is to see why destruction is necessary to the growth and development of human history!
Wondering what had become of the French family who formerly had lived in the château before the outbreak of the war, Sally walked up closer to the ruins. From a space between two walls, forming an insecure arch, a bird darted out into the daylight. Not ordinarily influenced by the beauties of nature or by unexpected expressions of her moods, nevertheless Sally uttered a cry of enchantment.
Between the walls she had spied the ruins of an old French drawing room. The bird must have flown through the opening into the room and then quickly out again into the sunshine.
A little table remained standing with an open book upon it, laid face down. There was a rug on the floor, now thick with mould, and yet it was a rare Aubusson rug with sturdy cupids trailing flowery vines across its surface. There were pieces of broken furniture and bric-a-brac strewn over the floor.
Sally must have continued staring inside the room for several moments before she slowly became aware that there was a human figure seated in a chair in the shadow near one of the half fallen walls.
The figure was that of a young soldier. He was asleep when Sally discovered him and incredibly dirty. His hair was long and matted, hanging thick over his forehead. One arm was wrapped in a soiled bandage.
Yet Sally did not feel frightened, only faint and ill for an instant from pity.
Coming to their farm house after a few days in Paris, Sally had seen trains filled with wounded soldiers. In Paris she also had noticed blinded and invalided men being led along the streets by their families or friends, yet never so piteous a figure as this.