Dick Thornton spoke gravely and seemed weary from the evening’s excitement. But then something of what he had passed through in the last six months showed in other ways than in his empty coat sleeve.
Without his knowledge, the girl who had been speaking continued to study him for another moment. Then she turned to Mildred Thornton, who was on her other side, and whispered:
“Mill, Dick is tired, but would rather die than confess it. Can’t you think of some way to get us out of this crowd before the breaking up begins? The jam then will be awful and we may not be able to keep together.”
Up to the instant of Barbara Meade’s suggestion, Mildred had forgotten all personal matters in her interest in the music and the vivid beauty of the scene surrounding them. Now she too glanced toward her brother.
“Dick,” she suggested at once, “don’t you think we had best start back toward our pension? Madame Chenel is to sing an encore and I’m sorry we must miss it, but I really think it would be more sensible to go.”
With the closing of the Marseillaise the celebrated singer had disappeared. Now in the midst of Mildred’s remark she returned to the balcony of the Opera House. No longer was she wearing her crown of brilliants, nor carrying the immense French flag. Instead her head was uncovered, showing her dark hair and eyes and the flag she bore was British, not French.
Then she began singing in English, but with a delicious French accent:
“It’s a long way to Tipperary,
It’s a long way to go.”
The crowd joined in the chorus. There were soldiers on the street, who had returned to Paris on leaves of absence, after learning English from the Tommies in the trenches. Others had only a faint knowledge of a few English words. But everybody sang, and because some of the voices were French and others English the effect was all the more thrilling and amusing.