"Pleasant alternative," said Miss Harriet; she was smiling, her face full of color, her shoulders back, her head up. "Come, Willy, let's have a spree. Here we are for a day, and Martha's at home. We'll have a good dinner, and we'll do something interesting. Hurrah!" said Harriet Hutchinson.

And the doctor could do no less than fall into step at that martial note and march at her side proudly. And by some spiritual contagion his courage met hers like the clash of swords. They went to get their good dinner, and Miss Harriet ate it with appetite. Afterwards she declared they would go to the circus. "It's in town; I saw the tents. I haven't been to a circus for forty years," she said; "but I know just how the pink lemonade tastes. You've got to treat, Willy."

"I'll throw in pea-nuts," said William King; and with that they left the restaurant and went sauntering along the hot, grimy street in the direction of the open lots beyond the blast-furnaces, where, under a deep June sky, dazzling even though it was smudged by coils of smoke, were stretched the circus tents, brave with flags and slapping and billowing in a joyous wind. William King held on to his hat and looked at the great, white clouds, domed and shining, piled all along the west. "We'll get a shower, I'm afraid, Miss Harriet."

"Well, take a pill, Willy, and then it won't hurt you," she told him, with a laugh that belonged to the sun and wind, to the flags whipping out on their halyards and the signs of the side-shows bellying from their guy-ropes, to the blare of music and the eager circus crowd—that crowd that never changes with changing generations. Still there is the old man gaping with excited eyes; still the lanky female in spectacles; the cross elder sister afraid of crushing her fresh skirts; the little boy absorbed in thought; the little girl who would like to ride on the Shetland pony when the clown offers any miss in the audience an opportunity. We know them all, and doubtless they know us, the patronizing, amused on-lookers, who suddenly become as eager and absorbed as any graybeard or child in the crowd. We know the red boxes, too, where men with hard faces and wearied eyes shout mechanically the same words of vociferous invitation to the side-shows. Children, pulled along by their elders, would stop, open-mouthed, before these men; but somehow they never see the wild man or the fat lady. Ah, the regret for the unseen side-shows!—the lady with the snakes; the skeleton man; the duel between the educated hyena and his trainer—that hyena of whom the man in the red box speaks with such convincing enthusiasm. "I have been," cries the strident voice—"I have been connected with circuses all my life—all my life, ladies and gentlemen!—and I give you my sacred word of honor that this is the most magnificent specimen of the terrible grave-robbing hyena that I have ever seen!" Why did we never see that hyena? Why, why did we always hurry on to the main tent? It is the pang that even paradise must know, of the lost experience of earth—or perhaps of hell.

"We ought to see the fat lady," said Dr. King.

"I'm afraid we'll be late," Miss Harriet objected, eagerly.

So they pushed on with the impatient, good-natured crowd. The smell of tan-bark and matted pelts and stale pea-nut shells came in a gust as they jostled under the flap of the outer tent and found themselves inside the circle of gilded cages. "Shall we go right in and get our seats?" William said.

"What! and not look at the animals? Willy, you're crazy. I want to feed the elephants. Why, there are a lot of them, six or seven."

So they trudged around the ring, their feet sinking deep into the loose, trampled earth. Miss Harriet poked the monkeys clinging to the grating of their car, with her big umbrella, and examined the elephant's hide with professional interest. "Imagine curing that proboscis," she said. And then they stopped in front of a miserable, magnificent lion, turning, turning, turning in a cage hardly more than his own length. Miss Harriet drew in her breath. "It's being trapped that is so awful, Willy. The consciousness that you can't get out. It isn't the—the pain of it; it's being trapped."

William King, looking at the poor tawny creature of the desert and free winds and life that dealt death with passion, blinked suddenly behind his glasses. "But you trap things yourself," he protested, a moment afterwards.