Dr. Lavendar's People

by Margaret Wade Campbell Deland

"And to take up a collection for Lydia! It's—charity."

"It isn't taking up a collection," Dr. Lavendar protested, stoutly. "And it isn't charity. Miss Lydia's friends have a right to make her a present if they feel like it."

Mrs. Barkley agreed, doubtfully.

"Mrs. Dale would contribute, I'm sure," said Dr. Lavendar. "And perhaps the Miss Ferises."

"I wouldn't like to ask them."

"Don't ask 'em. Offer them the chance."

"No," Mrs. Barkley insisted; "they've no right. They are not really her friends. Lydia doesn't call them by their first names." But she went away very much encouraged and full of this project of a present for poor Lydia, who, happily, had no idea that she was "poor" Lydia. She was not poor to herself (except, of course, in purse, which is a small matter). She lived in a shabby and dilapidated cottage at the Smith gates, and every month squeezed out a few dollars rent to Mr. Smith; she was sorry for the Smiths, for they were new people; but she always spoke kindly to them, for she never looked down on anybody. So, as far as position went, she was not "poor." She had no relations living, but she called all Old Chester of her generation by its first name; so, as to friendship, there was nothing "poor" about her. And, most of all, she was not "poor," but very rich, in her capacity for interest.

Now, no one who has an interest is poor; and Miss Lydia had a hundred interests. A hundred? She had as many interests as there were people in the world or joys or sorrows in Old Chester; so she was really very rich.... Of course, there are different degrees of this sort of wealth: there are folk who have to manufacture their interests; with deliberation they are philanthropic or artistic or intellectual, or even, if hard put to it, they are amused. Such persons may be said to be in fairly comfortable circumstances, although they live anxiously and rather meagrely, because they know well that when interest gives out they are practically without the means to support life. Below this manufacturing class come the really destitute—the poor creatures who do not care vitally for anything and who are without the spiritual muscle to manufacture an interest. These pathetic folk are occasionally made self-supporting by a catastrophe—grief or even merely some uncomfortable surgery in regard to their bank account may give them a poor kind of interest; but too often they exist miserably—sometimes, with every wish gratified, helplessly poor. Above the manufacturing class comes the aristocracy, to which Miss Lydia Sampson belonged, the class which is positively rolling in wealth. Every morning these favored creatures arise with a zest for living. You hear them singing before breakfast; at the table they are full of eager questions: Is it going to rain? No; it is a fair day; delightful!—for it might have rained. And the sun will bring up the crocuses. And this was the day a neighbor was to go to town. Will she go? When will she come back? How pleasant that the day is pleasant! And it will be good for the sick people, too. And the moment the eager, simple mind turns to its fellows, sick or well, the field of interest widens to the sky-line of souls. To sorrow in the sorrows of Tom and Dick and Harry and their wives, to rejoice in their joys—what is better than that? And then, all one's own affairs are so vital: the record of the range of the thermometer, the question of turning or not turning an alpaca skirt, the working out of a game of solitaire—these things are absorbing experiences.

No wonder we who are poor, or even we who work hard at philanthropy or art or responsibility to manufacture our little interests—no wonder we envy such sky-blue natures. Certainly there were persons in Old Chester who envied Miss Lydia; at least, they envied her her unfailing joyousness—but they never envied her her empty purse. Which was like envying a rose its color, but despising the earth from which by some divine chemistry the color came.

Miss Lydia's eyes might smart from the smoke puffing out into her room, but she was able to laugh at the sight of her bleared visage in the narrow mirror over the mantel. Nor did the fact that the mirror was mottled and misty with age, the frame tarnished almost to blackness, cause her the slightest pang. What difference does it make in this world of life and death and joy and sorrow, if things are shabby? The fact is, the secret of happiness is the sense of proportion; eliminate, by means of that sense, trouble about the unimportant, and we would all be considerably happier than kings. Miss Lydia possessed this heaven-born sense, as well as the boundless wealth of interest (for to him that hath shall be given). "I don't want to brag," she used to say, "but I've got my health and my friends; so what on earth more do I want?" And one hesitated to point out a little thing like a shabby mirror, or even a smoky chimney. When the chimney smoked, Miss Lydia merely took her rocking-chair and her sewing out into a small room that served as a kitchen—and then what difference did the smoking make?