And Helena, protesting and joyous, fled to her room and to her mirror. She flung off her cambric morning dress and ran to hunt in her wardrobe for something pretty. With girlish hurry she pulled her hair down, braided it afresh, and fastened the burnished plats around her head like a wreath; then she brushed the soft locks in the nape of her neck about her finger, and let them fall into loose curls. She dressed with breathless haste, and when she finished, stood for a minute, her lip between her teeth, staring at herself in the glass. And as she stared her face fell; for as the color and sparkle faded a little, care suddenly looked out of the leaf-brown eyes—care and something like fright. But instantly drawing in her breath, she flung her head up as one who prepares for battle. When she went down-stairs and found Mr. Pryor waiting for her in the parlor, the sparkle had all come back. She had put on a striped silk dress, faint rose and green, made very full in the skirt; her flat lace collar was fastened by a little old pin—an oval of pearls holding a strand of hair like floss-silk.

"Why, Nelly," her visitor said, "you look younger every time I see you."

She swept him a great courtesy, making her dress balloon out about her; then she clasped her hands at her throat, her chin resting on the fluff of her white undersleeves, and looked up at him with a delighted laugh. "We are not very old, either of us; I am thirty-three and you are only forty-six—I call that young. Oh, Lloyd, I was so low-spirited this morning; and now—you are here!" She pirouetted about the room in a burst of gayety.

As he watched her through half-shut eyes, the bored good humor in his face sharpened into something keener; he caught her hand as she whirled past, drawing her close to him with a murmured caress. She, pausing in her joy, looked at him with sudden intentness.

"Have you heard anything of—Frederick?"

At which he let her go again and answered curtly: "No; nothing. Perfectly well, the last I heard. In Paris, and enjoying himself in his own peculiar fashion."

She drew in her breath and turned her face away; they were both silent. Then she said, dully, that she never heard any news. "Mr. Raynor sends me my accounts every three months, but he never says anything about—Frederick."

"I suppose there isn't anything to say. Look here, Nelly, hasn't that stage-driver brought the hamper yet? When are we going to have something to eat?"

"Oh, pretty soon," she said impatiently.

They were standing at one of the long windows in the parlor; through the tilted slats of the Venetian blinds the April sunshine fell in pale bars across her hair and dress, across the old Turkey carpet on the floor, across the high white wainscoting and half-way up the landscape-papered walls. The room was full of cheerful dignity; the heavy, old-fashioned furniture of the Stuffed Animal House was unchanged, even the pictures, hanging rather near the ceiling, had not been removed—steel-engravings of Landseer's dogs, and old and very good colored prints of Audubon's birds. The mantel-piece of black marble veined with yellow was supported by fluted columns; on it were two blown-glass vases of decalcomania decoration, then two gilt lustres with prisms, then two hand-screens of woolwork, and in the middle an ormolu clock—"Iphigenia in Aulis"—under a glass shade. In the recess at one side of the fireplace was a tall bookcase with closed doors, but a claw-footed sofa stood out from the wall at an angle that prevented any access to the books. "I can't read Stuffed Animal books," Helena had long ago confided to Lloyd Pryor. "The British Classics, if you please! and Baxter's Saint's Rest, and The Lady of the Manor." So Mr. Pryor made a point of providing her with light literature. He pulled a paper-covered volume out of his pocket now, and handed it to her.