He felt her small, warm fingers on his hand, and had a sense of comfort that made him almost forget Eleanor. "It would serve her right if I took Lily on," he thought. But he had not the remotest intention of taking Lily on! He only played with the idea, because the impossible reality would serve Eleanor right.

It was a month or two later, on the rebound of another dreariness with Eleanor, that the reality came, and he did "take Lily on." When he did so, no one could have been more astonished—under his dismay and horror—than Maurice.

Unless it was Lily? She had been so certain that he had no ulterior purpose, and so completely satisfied with her own way of living, that her rather snuggling friendliness with him was as honest as a boy's. Her surprise at her own mistake showed how genuine her intention of straightness really was. When he came, once or twice to see her, he called her Lily, and she called him "Curt," and they joked together like two playfellows,—except when he was too gloomy to joke. But it was his gloominess that made her feel sure there was nothing but friendliness in his calls. She was not curious about him; she knew he was married, but she never guessed that his preoccupation—during the spring Maurice was very preoccupied with his own wretchedness and given to those cynical fancies about "theater fires";—was due to the fact that he and his wife didn't get along. She merely supposed that, like most of her "gentlemen friends," "Curt" didn't talk about his wife. But, unlike the gentlemen of her world he was, apparently, a husband whose acquaintance with her had its limits. So they were both astonished....

But when Maurice discovered that such acquaintance had also its risks, the shock was agonizing. He was overwhelmed with disgust and shame. Once, at his desk, brooding over what had happened, his whipping instinct of truthfulness roused a sudden, frantic impulse in him to go home and confess to Eleanor, and ask her to forgive him. She never would, of course! No woman would; Eleanor least of all. But oh, if he only could tell her! As he couldn't, remorse, with no outlet of words, smoldered on his consciousness, as some hidden and infected wound might smolder in his flesh. Yet he knew there would be no further unfaithfulness. He would never, he told himself, see Lily again! That was easy! He was done with all "Lilys." If he could only shed the self-knowledge which he was unable to share with Eleanor, as easily as he could shed Lily, how thankful he would be! If he could but forget Lily by keeping away from her! But of course he could not forget. And with memory, and its redeeming pain of shame, was also the stabbing mortification of knowing that he had made a fool of himself, again! First Eleanor; then—Lily. Sometimes, with this realization of his idiocy, he would feel an almost physical nausea. It was so horrible to him, that when, a month later, the anniversary which marked his first folly came around again, he made an excuse of having to be away on business. It seemed to Maurice that to go out to their field, with this loathsome secrecy (which was, of course, an inarticulate lie) buried in his soul, would be like carrying actual corruption in his hands! So he went out of town on some trumped-up engagement, and Eleanor, left to herself, took little pining Bingo for a walk. In a lonely; place in the park, holding the dog on her knee, she looked into his passionately loving liquid eyes and wiped her own; eyes on his silky ears....

Those were aging months for Maurice; and though, of course, the poignancy of shame lessened after a while, it left its imprint on his face, as well as on his mind. They speculated about it at the office: "'G. Washington's' got a grouch on," one clerk said; "probably told the truth and lost a transfer! Let's give him another hatchet."

And the friendly people at the boarding house noticed the change in him. He had almost nothing to say, now, at dinner—no more jokes with the school-teacher, no more eager talks with the gray-haired woman....

"Has she forbidden conversation, do you suppose?" Miss Moore asked, giggling; but the widow said, soberly, that she was afraid Mr. Curtis was troubled about something. Mrs. Newbolt saw that there was something wrong with him, and talked of it to Eleanor, without a pause, for an hour. And of course Eleanor felt a difference in him; all day long, in the loneliness of their third-floor front, under the gaze of Daniel Webster, she brooded over it. Even while she was reading magazines and plodding through newspaper editorials on public questions she had never heard of, so that she could find things to talk about to him, she was thinking of the change, and asking herself what she had done—or left undone—to cause it? She also asked him:

"Maurice! Something bothers you! I'm not enough for you. What is the matter?"

He said, shortly, "Nothing."

At which she retreated into the silence of hurt feelings. Once, she knelt down, her face hidden on the grimy bed-spread, and prayed: "God, please give us a child—that will make him happy. And show me what to do to please him! Show me! Oh, show me! I'll do anything!" And who can say that her prayer was not answered? For certainly an idea did spring into her mind: those tiresome people downstairs—he liked to talk to them;—to Miss Moore, who giggled, and tried, Eleanor thought, to seem learned; and to the elderly woman who told stories. How could he enjoy talking to them when he could talk to her? But he did. So, suppose she tried to be more sociable with them? "I might invite Mrs. Davis to come up to our room some evening—and I would sing for her? ... But not Miss Moore; she is too silly, with her jokes!" Her mind strained to find ways to be friendly with these people he seemed to like. And circumstances helped her....