Phyllis laughed. "Oh, worse than that!" she said. "I was named out of a poetrybook, I believe—Phyllis Narcissa. But I always conceal the Narcissa."

"Phyllis. Thank you," he said wearily. ... "Phyllis, don't let go! Talk to me!" His eyes were those of a man in torment.

"What shall I talk about?" she asked soothingly, keeping the two cold, clutching hands in her warm grasp. "Shall I tell you a story? I know a great many stories by heart, and I will say them for you if you like. It was part of my work."

"Yes," he said. "Anything."

Phyllis arranged herself more comfortably on the bed, for it looked as if she had some time to stay, and began the story she knew best, because her children liked it best, Kipling's "How the Elephant Got His Trunk." "A long, long time ago, O Best Beloved...."

Allan listened, and, she thought, at times paid attention to the words. He almost smiled once or twice, she was nearly sure. She went straight on to another story when the first was done. Never had she worked so hard to keep the interest of any restless circle of children as she worked now, sitting up in the pink light in her crepe wrappings, with her school-girl braids hanging down over her bosom, and Allan Harrington's agonized golden-brown eyes fixed on her pitying ones.

"You must be tired," he said more connectedly and quietly when she had ended the second story. "Can't you sit up here by me, propped on the pillows? And you need a quilt or something, too."

This from an invalid who had been given nothing but himself to think of this seven years back! Phyllis's opinion of Allan went up very much. She had supposed he would be very selfish. But she made herself a bank of pillows, and arranged herself by Allan's side so that she could keep fast to his hands without any strain, something as skaters hold. She wrapped a down quilt from the foot of the bed around her mummy-fashion and went on to her third story. Allan's eyes, as she talked on, grew less intent—drooped. She felt the relaxation of his hands. She went monotonously on, closing her own eyes—just for a minute, as she finished her story.


VIII