"Allan," she asked, standing above him, "do you think you could stand being talked to for a little while?"

"Why—yes," said Allan, opening his eyes a little more. "Wallis, get—Mrs. Harrington—a chair."

He said the name haltingly, and Phyllis wondered if he disliked her having it. She dropped down beside him, like a smiling touch of spring in the dark room.

"Do you mind their calling me that?" she asked. "If there's anything else they could use——"

"Mother made you a present of the name," he said, smiling faintly. "No reason why I should mind."

"All right," said Phyllis cheerfully. After all, there was nothing else to call her, speaking of her. The servants, she knew, generally said "the young madam," as if her mother-in-law were still alive.

"I want to talk to you about things," she began; and had to stop to deal with the wolfhound, who was trying to put both paws on her shoulders. "Oh, Ivan, get down, honey! I wish somebody would take a day off some time to explain to you that you're not a lap-dog! Do you like wolfhounds specially better than any other kind of dog, Allan?"

"Not particularly," said Allan, patting the dog languidly as he put his head in a convenient place for the purpose. "Mother bought him, she said, because he would look so picturesque in my sick-room. She wanted him to lie at my feet or something. But he never saw it that way—neither did I. Hates sick-rooms. Don't blame him."

This was the longest speech Allan had made yet, and Phyllis learned several things from it that she had only guessed before. One was that the atmosphere of embodied grief and regret in the house had been Mrs. Harrington's, not Allan's—that he was more young and natural than she had thought, better material for cheering; that his mother's devotion had been something of a pressure on him at times; and that he himself was not interested in efforts to stage his illness correctly.

What he really had said when the dog was introduced, she learned later from the attached Wallis, was that he might be a cripple, but he wasn't going to be part of any confounded tableau. Whereupon his mother had cried for an hour, kissing and pitying him in between, and his night had been worse than usual. But the hound had stayed outside.