"Let the farmer," Mr. Emerson had said, "give his corn, the miner a gem, the painter his picture, the poet his poem." Joy did not stop to wonder (for the Western lady had left it out) on just what principle these contributions were being made. She didn't care.

"Now, that's the way people earn money," said she practically, and tried to think what she could do.

Cook—she could make very good things to eat, but Grandmother would have to know about that, and, besides, it wouldn't be a thing they would approve of. Sewing—no, you couldn't get much out of that. She could recite poetry and be decorative, but she gave a little shiver at the thought. She played and sang as Grandmother had taught her—harp and piano—and spoke Grandmother's French. She couldn't do much with them.... Oh, she was just decorative! And as she prepared to be vexed at the idea, suddenly the motto caught her eye again.

"It's a perfectly impossible idea from their standpoint," said Joy, with the light of battle in her eye for almost the first time in her life, "but I simply have to have that gray dress."

She rose and fished the amber satin out of her trunk. She put it on, put her long coat over it, packed her next most picturesque frock in a bag, fastened on a hat, and walked out the front door.

Just three blocks away lived a dear, elderly mural decorator who was always telling her how he wished he had her for a model. She knew he was making studies now for about a half-mile of walls in a new, rich statehouse somewhere far away.

She should have been frightened at this, her first adventure, but she wasn't. She found her heart getting gayer and lighter as she ran down the steps with her little bag. It was the kind of a day when all the policemen and street-sweepers and old women selling shoe-laces look at you pleasantly, and make cheerful remarks to you. Even the conductor whose street-car she didn't take smiled pleasantly at her after stopping his car by mistake. It was as kind-hearted and pleasant-minded a worldful of people as Joy had ever met, and she was singing under her breath with happiness as she ran up the steps leading to Mr. Morrow's studio. There wasn't any particular excuse for her being so light-hearted, excepting that the street-people had been so friendly minded, and there was such a dear little breeze with a country smoke-scent on it, and that somewhere in the world was a tall man with fair hair and a kind, authoritative voice, who had said wonderful things to her—a man she would meet again some day, when she was charming and worldly and dressed in a tailor-made suit.

Mr. and Mrs. Morrow were artists both; and she found them, blouse-swathed and disheveled, doing charcoal studies in a corner of the room apiece. Mrs. Morrow kissed Joy, arching over her so that the smudges on her pinafore wouldn't be transferred. Mr. Morrow came out of his corner and shook hands with her with less care, so that his smudges did come off on her. Then they both listened to her story with the same kindness and interest every one else had shown her that morning.

"I can sit still or stand still as long as ever you want me to," Joy explained. "And you said yourself I was decorative, Mr. Morrow; you know you did!"

"I did, indeed," Mr. Morrow answered promptly, while Mrs. Morrow asked some more questions.