"She makes me feel exactly like a small dog that has stolen a bone and got caught," Joy acknowledged directly, with a little shamefaced laugh.
"She'll do her best in that line," responded Allan, who seemed to have no great affection for the lady. "Don't let her bother you. He's your bone—hang on to him. In short, sic 'em!"
They both laughed, and Joy came back with her bronze head high and an access of fresh courage. She sat down this time between John and the cousin, whose name she had not heard. But she began talking hard to him. Occasionally she tossed John, fenced in beside her, a cheerful word. He seemed perfectly satisfied at first, but the cousin did not. He wanted Joy all to himself, it appeared, and a fiancé more or less seemed to have no bearing on the case, as far as he was concerned.
Presently John woke up to this fact and began the effort to repossess himself of his lawful property. Joy cast a mischievous glance at Allan, sitting on the arm of his wife's chair (chairs had become the order of the day), and Allan grinned happily, by some means telegraphing the situation to Phyllis. Every one was happy except John, and perhaps Gail, who presently eyed the three and used her usual weapon of lazy frankness.
"It makes me furious to see both of you making violent love to Joy Havenith," she said indolently. "Clarence, go start the victrola, my good man. This must be put a stop to."
Clarence lifted himself from the floor by Joy, but he calmly took her hand along with him, and raised her, too.
"She's going to christen the floor with me," he informed his cousin. "Come on, Miss Joy!"
The isolation that ordinarily doth hedge an engaged girl, where men are concerned, seemed to trouble Clarence not at all. He was, by the way, in spite of the fact that he would some day be too stout, one of the best-looking men who ever lived. He had a good deal of his cousin's lazy assurance—in him it sometimes verged on impudence, but never beyond the getting-away-with point—and a heavenly smile. His other name was, unbelievably, Rutherford, which almost took the curse off the Clarence, as he said, but not quite. And if he had gone into the movies he would have made millions, beyond a doubt.
He drew Joy across the floor with him, in her green-and-silver draperies, and began to wind the victrola, which had been tucked into a nook where Mrs. Hewitt had vainly hoped it would be quite hidden. There was to be an orchestra afterwards for the authorized dancing.
Clarence put on "Poor Butterfly," and encircling Joy proceeded to dance away with her.