On one occasion my husband and I went to a lunch, given by old Mr. McEwan, to meet Mr. Frank Harris. I might have said what my sister Laura did, when asked if she had enjoyed herself at a similar meal. "I would not have enjoyed it if I hadn't been there," as, with the exception of Arthur Balfour, I did not know a soul in the room. He sat like a prince, with his sphinx-like imperviousness to bores, courteous and concentrated on the languishing conversation. I made a few gallant efforts and my husband, who is particularly good on these self-conscious occasions, did his best … but to no purpose.

Frank Harris, in a general disquisition to the table, at last turned to Arthur Balfour and said, with an air of finality:

"The fact is, Mr. Balfour, all the faults of the age come from
Christianity and journalism."

To which Arthur replied with rapier quickness and a child-like air:

"Christianity, of course … but why journalism?"

When men said, which they have done now for over thirty years, that Arthur Balfour was too much of a philosopher to be really interested in politics, I always contradicted them. With his intellectual taste, perfect literary style and keen interest in philosophy and religion, nothing but a great love of politics could account for his not having given up more of his time to writing. People thought that he was not interested because he had nothing active in his political aspirations; he saw nothing that needed changing. Low wages, drink, disease, sweating and overcrowding did not concern him; they left him cold, and he had not the power to express moral indignation which he was too detached to feel.

He was a great Parliamentarian, a brilliant debater and a famous Irish Secretary in difficult times, but his political energies lay in tactics. He took a Puck-like pleasure in watching the game of party politics, not in the interests of any particular political party, nor from esprit de corps, but from taste. This was very conspicuous in the years 1903 to 1906, during the fiscal controversy; but any one with observation could watch this peculiarity carried to a fine art wherever and whenever the Government to which he might be attached was in a tight place.

Politically, what he cared most about were problems of national defence. He inaugurated the Committee of Defence and appointed as its permanent Chairman the Prime Minister of the day; everything connected with the size of the army and navy interested him. The size of your army, however, must depend on the aims and quality of your diplomacy; and, if you have Junkers in your Foreign Office and jesters on your War Staff, you must have permanent conscription. It is difficult to imagine any one in this country advocating a large standing army plus a navy, which is vital to us; but such there were and such there will always be. With the minds of these militarists, protectionists and conscriptionists, Arthur Balfour had nothing in common at any time. He and the men of his opinions were called the Blue Water School; they deprecated fear of invasion and in consequence were violently attacked by the Tories. But, in spite of an army corps of enthusiasts kept upon our coasts to watch the traitors with towels signalling to the sea with full instructions where to drive the county cows to, no German army during the great War attempted to land upon our shores, thus amply justifying Arthur Balfour's views.

The artists who have expressed with the greatest perfection human experience, from an external point of view, he delighted in. He preferred appeals to his intellect rather than claims upon his feelings. Handel in music, Pope in poetry, Scott in narration, Jane Austen in fiction and Sainte-Beuve in criticism supplied him with everything he wanted. He hated introspection and shunned emotion.

What interested me most and what I liked best in Arthur Balfour was not his charm or his wit—and not his politics—but his writing and his religion.