He raised his arms far above his head in impotent protestation to an unkind Heaven, and, turning raspingly on his heel, left her without further ceremony to digest his cynical advice.

During Marguerite’s convent days Hortense Gervex had lived at Plenhöel as a very superior sort of housekeeper, looking, together with Quentin, after the Marquis’s interests, and keeping the château continually ready to receive him in the intervals of his trips to known and sometimes unknown portions of the globe. Years before, when widowed at twenty by the premature drowning of her husband, a fine young sailorman in command of a coasting steamer, she had come to Plenhöel as companion and reader to “Antinoüs’s” mother. She was now fifty-five, extremely well preserved, and very comely, with her thick blond hair, slightly frosted with silver above the temples, her wholesome face, and calm, blue-green eyes; and she literally adored the “Gamin.”

After Quentin’s departure she remained for a few moments more, watching the bathers frolicking in the wavelets below. Marguerite and her father were swimming back now, and presently ran foul of a school of porpoises playing “follow-my-leader” with the utmost gaiety. Madame Hortense saw Marguerite dive suddenly and come up immediately behind a big, shining fellow, whom she playfully slapped on the side. Girl and fish disappeared together in a quick smother of foam; then the fair head, darkened by immersion to a golden brown, emerged again and followed in the wake of the paternal one.

“Ah, my little mermaid!” murmured Madame Hortense. “Ma jolie petite sirène! Is what that scamp of Quentin hints at truly possible?”

Her affectionate eyes followed the thought to the float, and their expression slowly hardened. Laurence was still standing before Basil in the same provocative attitude, still busy with her splendid hair, twisting and untwisting it, as though to wring it dry. The hidden sun had just made up his mind to peep through his veil of pearly vapors, and a primrose glow of delicious warmth suffused the two figures. In that revealing light Madame Hortense became suddenly aware of the science that had presided over the making of Miss Seton’s costume, in spite of all its maidenly whiteness. The young girl’s illuminated silhouette all at once seemed terribly shocking to her in its Venus-like beauty—(Vénus sortant de l’onde)—and with a short exclamation she too turned on her heel and, running up the steps to the esplanade, rapidly entered the château. Her brows were knit and the flame of indignation shone warlike in her eyes.

The way to her own domain led past the suite of rooms occupied by Laurence, and with perfect deliberation she opened the door of the boudoir off the sleeping-apartment and entered.

This suite, comprising a bed, dressing and bath room, besides the boudoir in question, was designated by the household as la volière; for the whole plan of decoration was based upon bird life. It had been a fantasy of a Marquise de Plenhöel, arriving as a bride there from the Court of Versailles, to evolve for her own personal use this dainty retreat, so completely at variance with the grim fortress on the coast of Finisterre. She had been of a gay and witty spirit, had this pretty Marquise, and this was testified by the ingenuity with which these embellishments had been planned.

From the exquisite lampas covering the walls, where flights of winged things seemed alive amid branches of pale brocaded roses and apple-blossoms, from the curtains and portières of like material, the beautifully medallioned and painted ceilings, the pink-marble fireplaces and faintly gilded cornices, down to the very carpets, lounges, and chairs, birds and flowers were repeated in every imaginable hue and tint. Carved, embroidered, painted, and chiseled, the feathered tribes hovered between garlands of bloom as admirably preserved as if the hands of the artists had but just put the finishing touches to their gracious task. The inspirer of it all had died on the guillotine in 1794, but her pastel portrait hanging in the boudoir smiled the imperishable smile of an all-conquering loveliness and charm.

Her azure gaze, so proud and high-bred beneath the powdered and diamond-dewed waves of her coiffure, riveted Madame Hortense’s attention, as it always did when her duties called her to that portion of the State Apartments. She paused before the cupid-wreathed flame, and gazed at the slender waist in the silk-and-lace corselet of a Court toilette; at the slim hands clasped over the nacre sticks of a point d’Argentan fan; at the trail of jasmine intermingled with strands of great pearls, crossing like the ribbon of some Order from the right shoulder to the left ride of the cloth-of-silver girdle, and she sighed profoundly.

Ah! quelle pitié!” she whispered, “quelle pitié!” Then, struck by a sudden thought, she bent swiftly forward. “How Marguerite resembles her!” she resumed, half aloud. “I had never noticed that before.” And a shade of fear darkened her own eyes for an instant. But she had not come to indulge in vain contemplations and vague forebodings. So, straightening herself, she cast a quick look about the room. Inside one of the window-places a Louis XVI. desk of celadon-green wood, inlaid preciously with more birds and flowers, had been left open. On the velvet-covered writing-board lay, in unpleasant contrast, one of those eminently durable and business-like blotting-books for which the world is indebted to England. Covered in pigskin, it displayed the large, flat monogram, L. S., in visibly extra-solid silver, while a fountain-pen of similar usefulness and practicality had been uncapped, in dangerous proximity to the softly faded lining of the desk.