After the Umbrella Man left, there was a sense of urgency in the way Giorgio lived and worked. If he was to become a fantino in the Palio, or a horse trainer, or only a groom, he must grow hard, wiry, quick; and stronger than boys twice his size.

His mother and father could not understand the change in their eldest. Instead of turning over for an extra sleep in the morning, he was up before the sun—feeding the cats in the kitchen, clanking the copper pitchers as he went to fetch the drinking water, graining Pippa, mending harness.

And when the cocks had only begun to crow, he was already at the door with the donkey hitched to the cart. Together he and his father went whistling off into the morning.

It was only nine kilometers to their farm, but the road wound down through stern country. Pippa was trail-wise. Where the footing was good she went trotting along, ears flopping, tail swinging; but through the tangled brake where the wild boar lurked, she kept her head down, watchful, snuffing. Of the few hovels they passed she always remembered the one where the swineherd and his poor donkey had lived; there she slowed her steps and gave out a sad, wheezy bray. Giorgio's whistling stopped, for he remembered, too. Then he looked away, looked at the great dark hulk of Mount Amiata, and knew that on the other side the morning sun was warming the foot-hills and somewhere there in the brightness was the ancient, walled city of Siena. The very name made his hairs stir. It was like a finger beckoning to him, urging him to hurry in his growing.

He always sat up straight then and called out, "Pippa! Get along! We go to work."

Plash! Plash! Pippa's feet plunged through the ditch at the edge of their farm, clambered up the other side, and headed for the barn.

To Giorgio, his whole life seemed wrapped up in the big barn made of bricks and straw. Here were the horses his father bought and sold—sometimes five, sometimes seven—and here were the team of white bullocks, and the milk-cow, and a frisky goat and her twin kids. With a sad sort of smile Babbo each morning encouraged Giorgio to grain the horses well, for the more fat on their bones the better price they would bring.

There was one mare, however, that Giorgio fed meagerly, for he loved her most and wanted no one to buy her. She was steel-gray with lively ears and enormous eyes, but they were blind. He felt guilty in his heart when he grained the others; it was like sending them to their death. But he felt guiltier still when he gave only small measure to Bianca, the blind one. Her ribs showed when he cleaned her off, and when he rode her, his legs could feel each one separately. He took to sitting well forward to ease his conscience. Then he was scarcely any weight at all.

To make up for the scanty meals, he often brought her fistfuls of clover. And in her stall the straw bedding was always the deepest.

One day Giorgio's father, pointing to Bianca, said, "That one is a terrible sorrow to me. It is not enough she is blind and unable to work. But besides, she does not fatten."