{Footnote 1: Vide Plutarch.}

These are the circumstances which should early be pointed out, to both sexes, with all the energy of truth: let them learn that the most exquisite arts of the most consummate coquette, could not obtain the confidence of him, who sacrificed to her charms, the empire of the world. It is from the experience of the past that we must form our judgment of the future. How unjustly you accuse me of desiring to destroy the memory of past experiments, the wisdom collected by the labour of ages! You would prohibit this treasure of knowledge to one-half of the human species; and I on the contrary would lay it open to all my fellow-creatures.—I speak as if it were actually in our option to retard or to accelerate the intellectual progress of the sex; but in fact it is absolutely out of our power to drive the fair sex back to their former state of darkness: the art of printing has totally changed their situation; their eyes are opened,—the classic page is unrolled, they will read:—all we can do is to induce them to read with judgment—to enlarge their minds so that they may take a full view of their interests and of ours. I have no fear that the truth upon any subject should injure my daughter’s mind; it is falsehood that I dread. I dread that she should acquire preposterous notions of love, of happiness, from the furtive perusal of vulgar novels, or from the clandestine conversation of ignorant waiting-maids:—I dread that she should acquire, even from the enchanting eloquence of Rousseau, the fatal idea, that cunning and address are the natural resources of her sex; that coquetry is necessary to attract, and dissimulation to preserve the heart of man.—I would not, however, proscribe an author, because I believe some of his opinions to be false; I would have my daughter read and compare various books, and correct her judgment of books by listening to the conversation of persons of sense and experience. Women may learn much of what is essential to their happiness, from the unprejudiced testimony of a father or a brother; they may learn to distinguish the pictures of real life from paintings of imaginary manners and passions which never had, which never can have, any existence.—They may learn that it is not the reserve of hypocrisy, the affected demeanour either of a prude or a coquette, that we admire; but it is the simple, graceful, natural modesty of a woman, whose mind is innocent. With this belief impressed upon her heart, do you think, my dear friend, that she who can reflect and reason would take the means to disgust where she wishes to please? or that she would incur contempt, when she knows how to secure esteem?—Do you think that she will employ artifice to entangle some heedless heart, when she knows that every heart which can be so won is not worth the winning?—She will not look upon our sex either as dupes or tyrants; she will be aware of the important difference between evanescent passion, and that affection founded upon mutual esteem, which forms the permanent happiness of life.

I am not apprehensive, my dear sir, that Cupid should be scared by the helmet of Minerva; he has conquered his idle, fears, and has been familiarized to Minerva and the Muses;

“And now of power his darts are found,
Twice ten thousand times to wound{1}.”

{Footnote 1: See the introduction of Cupid to the Muses and Minerva, in a charming poem of Mrs. Barbauld’s—“The origin of song-writing.’”—Would it not afford a beautiful subject for a picture?}

That the power of beauty over the human heart is infinitely increased by the associated ideas of virtue and intellectual excellence has been long acknowledged.—A set of features, however regular, inspire but little admiration or enthusiasm, unless they be irradiated by that sunshine of the soul which creates beauty. The expression of intelligent benevolence renders even homely features and cheeks of sorry grain{1} agreeable; and it has been observed, that the most lasting attachments have not always been excited by the most beautiful of the sex. As men have become more cultivated, they have attended more to the expression of amiable and estimable qualities in the female countenance; and in all probability the taste for this species of beauty will increase amongst the good and wise. When agreeable qualities are connected with the view of any particular form, we learn to love that form, though it may have no other merit. Women who have no pretensions to Grecian beauty may, if their countenances are expressive of good temper and good sense, have some chance of pleasing men of cultivated minds.—In an excellent Review{2} of Gillier’s Essays on the Causes of the Perfection of Antique Sculpture, which I have just seen, it is observed, that our exclusive admiration of the physiognomy of the Greeks arises from prejudice, since the Grecian countenance cannot be necessarily associated with any of the perfections which now distinguish accomplished or excellent men. This remark in a popular periodical work shows that the public mind is not bigoted in matters of taste, and that the standard is no longer supposed to be fixed by the voice of ancient authority. The changes that are made in the opinions of our sex as to female beauty, according to the different situations in which women are placed, and the different qualities on which we fix the idea of their excellence, are curious and striking. Ask a northern Indian, says a traveller who has lately visited them, ask a northern Indian what is beauty? and he will answer, a broad flat face, small eyes, high cheek bones, three or four broad black lines across each cheek, a low forehead, a large broad chin, a clumsy hook nose, &c. These beauties are greatly heightened, or at least rendered more valuable, when the possessor is capable of dressing all kinds of skins, converting them into the different parts of their clothing, and able to carry eight or ten stone in summer, or haul a much greater weight in winter.—Prince Matanabbee, adds this author, prided himself much upon the height and strength of his wives, and would frequently say, few women could carry or haul heavier loads. If, some years ago, you had asked a Frenchman what he meant by beauty, he would have talked to you of l’air piquant, l’air spirituel, l’air noble, l’air comme il faut, and he would have referred ultimately to that je ne sçais quoi, for which Parisian belles were formerly celebrated.—French women mixed much in company, the charms of what they called esprit were admired in conversation, and the petit minois denoting lively wit and coquetry became fashionable in France, whilst gallantry and a taste for the pleasures of society prevailed. The countenance expressive of sober sense and modest reserve continues to be the taste of the English, who wisely prefer the pleasures of domestic life.—Domestic life should, however, be enlivened and embellished with all the wit and vivacity and politeness for which French women were once admired, without admitting any of their vices or follies. The more men of literature and polished manners desire to spend their time in their own families, the more they must wish that their wives and daughters may have tastes and habits similar to their own. If they can meet with conversation suited to their taste at home, they will not be driven to clubs for companions; they will invite the men of wit and science of their acquaintance to their own houses, instead of appointing some place of meeting from which ladies are to be excluded. This mixture of the talents and knowledge of both sexes must be advantageous to the interests of society, by increasing domestic happiness.—Private virtues are public benefits: if each bee were content in his cell, there could be no grumbling hive; and if each cell were complete, the whole fabric must be perfect.

{Footnote 1: Milton.} {Footnote 2: Appendix to Monthly Review, from January 1798, page 516.}

When you asserted, my dear sir, that learned men usually prefer for their wives, women rather below than above the standard of mental mediocrity, you forgot many instances strongly in contradiction of this opinion.—Since I began this letter, I met with the following pathetic passage, which I cannot forbear transcribing:

“The greatest part of the observations contained in the foregoing pages were derived from a lady, who is now beyond the reach of being affected by any thing in this sublunary world. Her beneficence of disposition induced her never to overlook any fact or circumstance that fell within the sphere of her observation, which promised to be in any respect beneficial to her fellow-creatures. To her gentle influence the public are indebted, if they be indeed indebted at all, for whatever useful hints may at any time have dropped from my pen. A being, she thought, who must depend so much as man does on the assistance of others, owes, as a debt to his fellow-creatures, the communication of the little useful knowledge that chance may have thrown in his way. Such has been my constant aim; such were the views of the wife of my bosom, the friend of my heart, who supported and assisted me in all my pursuits.—I now feel a melancholy satisfaction in contemplating those objects she once delighted to elucidate."{1}

{Footnote 1: J. Anderson—Essay on the Management of a Dairy}