The taste for vulgar praise grew by what it fed upon. Harry was in great danger of forgetting that he was too fond of flattery, and too fond of company—not the best. He excused himself to himself, by saying that companions of some kind or other he must have, and he was in a situation where good company was not to be had. Then Moriarty Carroll was gamekeeper, and Moriarty Carroll was always out hunting or shooting with him, and he was led by kind and good feelings to be more familiar and free with this man than he would have been with any other in the same rank of life. The poor fellow was ardently attached to him, and repeated, with delight, all the praises he heard of Master Harry, through the Islands. The love of popularity seized him—popularity on the lowest scale! To be popular among the unknown, unheard-of inhabitants of the Black Islands,—could this be an object to any man of common sense, any one who had lived in civilized society, and who had had any thing like the education of a gentleman? The fact, argue about it as you will—the fact was as is here stated; and let those who hear it with a disdainful smile recollect that whether in Paris, London, or the Black Islands, the mob are, in all essential points, pretty nearly the same.
It happened about this time that Betty Dunshaughlin was rummaging in her young lady’s work-basket for some riband, “which she knew she might take,” to dress a cap that was to be hung upon a pole as a prize, to be danced for at the pattern, [Footnote: Patron, probably—an entertainment held in honour of the patron saint. A festive meeting, similar to a wake in England.] to be given next Monday at Ormond Vale, by Prince Harry. Prince Harry was now standing by, giving some instructions about the ordering of the entertainment; Betty, in the mean time, pursued her own object of the riband, and as she emptied the basket in haste, threw out a book, which Harry, though not much at this time addicted to reading, snatched impatiently, eager to know what book it was: it was one he had often heard of—often intended to read some time or other, but somehow or other he had never had time: and now he was in the greatest possible hurry, for the hounds were out. But when once he had opened the book, he could not shut it: he turned over page after page, peeped at the end, the beginning, and the middle, then back to the beginning; was diverted by the humour—every Irishman loves humour; delighted with the wit—what Irishman is not? And his curiosity was so much raised by the story, his interest and sympathy so excited for the hero, that he read on, standing for a quarter of an hour, fixed in the same position, while Betty held forth unheard, about cap, supper, and pattern. At last he carried off the book to his own room, that he might finish it in peace; nor did he ever stop till he came to the end of the volume. The story not finishing there, and breaking off in a most interesting part, he went in search of the next volume, but that was not to be found. His impatience was ravenous.
“Mercy, Master Harry,” cried Mrs. Betty, “don’t eat one up! I know nothing at-all-at-all about the book, and I’m very sorry I tumbled it out of the basket. That’s all there is of it to be had high or low—so don’t be tormenting me any more out of my life for nothing.”
But having seized upon her, he refused to let her go, and protested that he would continue to be the torment of her life, till she should find the other volume. Betty, when her memory was thus racked, put her hand to her forehead, and recollected that in the apple-room there was a heap of old books. Harry possessed himself of the key of the apple-room, tossed over the heap of tattered mouldy books, and at last found the precious volume. He devoured it eagerly—nor was it forgotten as soon as finished. As the chief part of the entertainment depended on the characters, it did not fade from his imagination. He believed the story to be true, for it was constructed with unparalleled ingenuity, and developed with consummate art. The character which particularly interested him was that of the hero, the more peculiarly, because he saw, or fancied that he saw, a resemblance to his own; with some differences, to be sure—but young readers readily assimilate and identify themselves with any character, the leading points of which resemble their own, and in whose general feelings they sympathize. In some instances, Harry, as he read on, said to himself, “I would not—I could not have done so and so.” But upon the whole, he was charmed by the character—that of a warm-hearted, generous, imprudent young man, with little education, no literature, governed more by feeling than by principle, never upon any occasion reasoning, but keeping right by happy moral instincts; or when going wrong, very wrong, forgiven easily by the reader and by his mistress, and rewarded at the last with all that love and fortune can bestow, in consideration of his being “a very fine fellow.”
Closing the book, Harry Ormond resolved to be what he admired—and, if possible, to shine forth an Irish Tom Jones. For this purpose he was not at all bound to be a moral gentleman, nor, as he conceived, to be a gentleman at all—not, at least, in the commencement of his career: he might become accomplished at any convenient period of his life, and become moral at the end of it, but he might begin by being an accomplished—blackguard. Blackguard is a harsh word; but what other will express the idea? Unluckily, the easiest points to be imitated in any character are not always the best; and where any latitude is given to conscience, or any precedents are allowed to the grosser passions for their justification, those are the points which are afterwards remembered and applied in practice, when the moral salvo sentences are forgotten, or are at best but of feeble countervailing effect.
At six o’clock on Monday evening the cap—the prize cap, flaming with red ribands from the top of the pole, streamed to the summer air, and delighted the upturned eyes of assembled crowds upon the green below. The dance began, and our popular hero, the delight of all the nymphs, and the envy of all the swains, danced away with one of the prettiest, “smartest,” “most likely-looking” “lasses,” that ever appeared at any former patron. She was a degree more refined in manner, and polished in appearance, than the fair of the Black Islands, for she came from the continent of Ireland—she had the advantage of having been sometimes at the big house at Castle Hermitage—she was the gardener’s daughter—Peggy Sheridan—distinguished among her fellows by a nosegay, such as no other could have procured—distinguished more by her figure and her face than by her nosegay, and more by her air and motions, than even by her figure or her face: she stepped well, and stepped out—she danced an Irish jig to admiration, and she was not averse from admiration; village prudes, perhaps, might call her a village coquette; but let not this suggest a thought derogatory to the reputation of the lively Peggy. She was a well-behaved, well-meaning, innocent, industrious girl—a good daughter, a good sister, and more than one in the neighbourhood thought she would make a good wife. She had not only admirers, but suitors in abundance. Harry Ormond could not think of her as a wife, but he was evidently—more evidently this day than ever before—one of Peggy’s admirers. His heart or his fancy was always warmly susceptible to the charms of beauty; and, never well guarded by prudence, he was now, with his head full of Tom Jones, prone to run into danger himself, and rashly ready to hurry on an innocent girl to her destruction. He was not without hopes of pleasing—what young man of nineteen or twenty is? He was not without chance of success, as it is called, with Peggy—what woman can be pronounced safe, who ventures to extend to a young lover the encouragement of coquettish smiles? Peggy said, “innocent smiles sure,” “meaning nothing;” but they were interpreted to mean something: less would in his present dispositions have excited the hero who imitated Tom Jones to enterprise. Report says that, about this time, Harry Ormond was seen disguised in a slouched hat and trusty [Footnote: Great coat.], wandering about the grounds at Castle Hermitage. Some swear they saw him pretending to dig in the garden; and even under the gardener’s windows, seeming to be nailing up jessamine. Some would not swear, but if they might trust their own eyes, they might verily believe, and could, only that they would not, take their oath to having seen him once cross the lake alone by moonlight. But without believing above half what the world says, candour obliges us to acknowledge, that there was some truth in these scandalous reports. He certainly pursued, most imprudently “pursued the chase of youth and beauty;” nor would he, we fear, have dropped the chase till Peggy was his prey, but that fortunately, in the full headlong career of passion, he was suddenly startled and stopped by coming in view of an obstacle that he could not overleap—a greater wrong than he had foreseen, at least a different wrong, and in a form that made his heart tremble. He reined in his passion, and stood appalled.
In the first hurry of that passion he had seen nothing, heard nothing, understood nothing, but that Peggy was pretty, and that he was in love. It happened one evening that he, with a rose yet unfaded in his hand—a rose which he had snatched from Peggy Sheridan—took the path towards Moriarty Carroll’s cottage. Moriarty, seeing him from afar, came out to meet him; but when he came within sight of the rose, Moriarty’s pace slackened, and turning aside, he stepped out of the path, as if to let Mr. Ormond pass.
“How now, Moriarty?” said Harry. But looking in his face, he saw the poor fellow pale as death.
“What ails you, Moriarty?”
“A pain I just took about my heart,” said Moriarty, pressing both hands to his heart.