The emphasis and enthusiasm with which Macklin spoke, pleased me—enthusiastic people are always well pleased with enthusiasm. My curiosity too was strongly excited to see him play Shylock. I returned home full of the Jew of Venice; but, nevertheless, not forgetting my Spanish Jew.—At last, my mother could no longer bear to see me perplex and vex myself in my fruitless search for the letter, and confessed that while we were talking the preceding day, finding that no arguments or persuasions of hers had had any effect, she had determined on what she called a pious fraud: so, while I was in the room—before my face—while I was walking up and down, holding forth in praise of my Jewish friend whom I did know, and my Jewish friend whom I did not know, she had taken up Mr. Israel Lyons’ letter of introduction to Mr. Montenero, and had thrown it into the fire.
I was very much provoked; but to my mother, and a mother who was so fond of me, what could I say? After all, I confessed there was a good deal of fancy in the case on my side as well as on hers. I endeavoured to forget my disappointment. My imagination turned again to Shylock and Macklin; and, to please me, my mother promised to make a large party to go with me to see the Merchant of Venice the next night that Macklin should act; but, unfortunately, Macklin had just now quarrelled with the manager, and till this could be made up, there was no chance of his condescending to perform.
Meantime my mother having, as she thought, fairly got rid of the Jews, and Mowbray having, as he said, cured me of my present fit of Jewish insanity, desired to introduce me to his mother and sister. They had now just come to town from the Priory—Brantefield Priory, an ancient family-seat, where, much to her daughter’s discomfiture, Lady de Brantefield usually resided eight months of the year, because there she felt her dignity more safe from contact, and herself of more indisputable and unrivalled consequence, than in the midst of the jostling pretensions and modern innovations of the metropolis. At the Priory every thing attested, recorded, and flattered her pride of ancient and illustrious descent. In my childhood I had once been with my mother at the Priory, and I still retained a lively recollection of the antique wonders of the place. Foremost in my memory came an old picture, called “Sir Josseline going to the Holy Land,” where Sir Josseline de Mowbray stood, in complete armour, pointing to a horrid figure of a prostrate Jew, on whose naked back an executioner, with uplifted whip, was prepared to inflict stripes for some shocking crime.—This picture had been painted in times when the proportions of the human figure were little attended to, and when foreshortening was not at all understood: this added to the horrible effect, for the executioner’s arm and scourge were of tremendous size; Sir Josseline stood miraculously tall, and the Jew, crouching, supplicating, sprawling, was the most distorted squalid figure, eyes ever beheld, or imagination could conceive.
After having once beheld it, I could never bear to look upon it again, nor did I ever afterwards enter the tapestry chamber:—but there were some other of the antique rooms in which I delighted, and divers pieces of old furniture which I reverenced. There was an ancient bed, with scolloped tester, and tarnished quilt, in which Queen Elizabeth had slept; and a huge embroidered pincushion done by no hands, as you may guess, but those of the unfortunate Mary, Queen of Scots, who, during her captivity, certainly worked harder than ever queen worked before or since.
Then there was an old, worm-eaten chair, in which John of Gaunt had sat; and I remember that while Lady de Brantefield expressed her just indignation against the worms, for having dared to attack this precious relique, I, kneeling to the chair, admired the curious fretwork, the dusty honeycombs, which these invisible little workmen had excavated. But John of Gaunt’s chair was nothing to King John’s table. There was a little black oak table, too, with broken legs, which was invaluable—for, as Lady de Brantefield confidently affirmed, King John of France, and the Black Prince, had sat and supped at it. I marvelled much in silence—for I had been sharply reproved for some observation I had unwittingly made on the littleness and crookedness of a dark, corner-chimneyed nook shown us for the banqueting-room; and I had fallen into complete disgrace for having called the winding staircases, leading to the turret-chambers, back stairs.
Of Lady de Brantefield, the touch-me-not mistress of the mansion, I had retained a sublime, but not a beautiful idea—I now felt a desire to see her again, to verify my old notion.
Of Lady Anne Mowbray, who at the time I had been at the Priory, was a little child, some years younger than myself, I could recollect nothing, except that she wore a pink sash, of which she was very vain, and that she had been ushered into the drawing-room after dinner by Mrs. Fowler, at the sight of whom my inmost soul had recoiled. I remember, indeed, pitying her little ladyship for being under such dominion, and longing to ask her whether Fowler had told her the story of Simon the Jew. But I could never commune with Lady Anne; for either she was up in the nursery, or Fowler was at her back in the drawing-room, or little Lady Anne was sitting upright on her stool at her mother’s feet, whom I did not care to approach, and in whose presence I seldom ventured to speak—consequently my curiosity on this point had, from that hour, slumbered within me; but it now wakened, upon my mother’s proposing to present me to Lady Anne, and the pleasure of asking and the hope of obtaining an answer to my long-meditated question, was the chief gratification I promised myself from the renewal of our acquaintance with her ladyship.