“An East Indian, I should guess, by her dark complexion,” whispered Lady Anne to me.

Some feather or lappet intercepted my view of her face, but from the glimpse I caught of it as she passed, it struck me as uncommonly interesting, though with a peculiar expression and foreign air—whether she was handsome or not, though called upon to decide, I could not determine. But now our attention was fixed on the stage. It was announced to the audience that, owing to the sudden illness of the actor who was to have performed the principal part in the comedy advertised for this night, there was a necessity for changing the play, and they should give in its stead the Merchant of Venice.

The Merchant of Venice and Macklin the Jew!—Murmurs of discontent from the ladies in my box, who regretted their sentimental comedy and their silver-toned Barry, were all lost upon me; I rejoiced that I should see Macklin in Shylock. Before the performance began, my attention was again caught by the proceedings of the persons in the next box. There seemed to be some sudden cause of distress, as I gathered from exclamations of “How unlucky!—How distressing!—What shall we do?—What can we do?—Better go away—carriage gone!—must sit it out—May be she won’t mind—Oh! she will—Shylock!—Jessica!—How unfortunate!—poor Miss Berry!”

“Jessica!” whispered Mowbray to me, with an arch look: “let me pass,” added he, just touching my shoulder. He made his way to a young lady at the other end of the box; and I, occupying immediately the ceded place, stationed myself so that I had a better view of my object, and could observe her without being seen by any one. She was perfectly still, and took no notice of the whispering of the people about her, though, from an indescribable expression in the air of the back of her head and neck, I was convinced that she heard all that passed among the young and old ladies in her box. The play went on—Shylock appeared—I forgot every thing but him.—Such a countenance!—Such an expression of latent malice and revenge, of every thing detestable in human nature! Whether speaking or silent, the Jew fixed and kept possession of my attention. It was an incomparable piece of acting: much as my expectations had been raised, it far surpassed any thing I had conceived—I forgot it was Macklin, I thought only of Shylock. In my enthusiasm I stood up, I pressed forward, I leaned far over towards the stage, that I might not lose a word, a look, a gesture. When the act finished, as the curtain fell, and the thunders of applause died away, I heard a soft low sigh near me; I looked, and saw the Jewess! She had turned away from the young ladies her companions, and had endeavoured to screen herself behind the pillar against which I had been leaning. I had, for the first time, a full view of her face and of her countenance, of great sensibility, painfully, proudly repressed. She looked up while my eyes were fixed upon her—a sudden and deep colour spread over her face and mounted to her temples. In my confusion I did the very thing I should not have done, and said the thing of all others I should not have said. I expressed a fear that I had been standing in such a manner as to prevent her from seeing Shylock; she bowed mildly, and was, I believe, going to speak.

“You have indeed, sir,” interrupted Mrs. Coates, “stood so that nobody could see nothing but yourself. So, since you mention it, and speak without an introduction, excuse me if I suggest, against the next act, that this young lady has never been at a play before in her life—in Lon’on, at least. And though it i’n’t the play I should have chose for her, yet since she is here, ‘tis better she should see something than nothing, if gentlemen will give her leave.” I bowed in sign of submission and repentance; and was retiring, so as to leave my place vacant, and a full opening to the stage. But in a sweet, gentlewomanlike voice, seeming, perhaps, more delightful from contrast, the young lady said that she had seen and could see quite as much as she wished of the play; and she begged that I would not quit my place. “I should oblige her,” she added, in a lower tone, “if I would continue to stand as I had done.” I obeyed, and placed myself so as to screen her from observation during the whole of the next act. But now, my pleasure in the play was over. I could no longer enjoy Macklin’s incomparable acting; I was so apprehensive of the pain which it must give to the young Jewess. At every stroke, characteristic of the skilful actor, or of the master poet, I felt a strange mixture of admiration and regret. I almost wished that Shakspeare had not written, or Macklin had not acted the part so powerfully: my imagination formed such a strong conception of the pain the Jewess was feeling, and my inverted sympathy, if I may so call it, so overpowered my direct and natural feelings, that at every fresh development of the Jew’s villany I shrunk as though I had myself been a Jew.

Each exclamation against this dog of a Jew, and still more every general reflection on Jewish usury, avarice, and cruelty, I felt poignantly. No power of imagination could make me pity Shylock, but I felt the force of some of his appeals to justice; and some passages struck me in quite a new light on the Jewish side of the question.

“Many a time, and oft,
In the Rialto, you have rated me,
About my moneys and my usances;
Still have I borne it with a patient shrug;
For sufferance is the badge of all our tribe.
You call me misbeliever! cut-throat dog!
And spit upon my Jewish gabardine;
And all, for use of that which is my own.
Well, then, it now appears you need my help.
Go to, then—you come to me, and you say,
Shylock, we would have moneys; you say so.
Shall I bend low, and in a bondsman key,
With bated breath, and whisp’ring humbleness, Say this:
Fair sir, you spit on me last Wednesday;
You spurned me such a day; another time
You called me dog; and for these courtesies
I’ll lend you thus much moneys?”

As far as Shylock was concerned, I was well content he should be used in such a sort; but if it had been any other human creature, any other Jew even—if it had been poor Jacob, for instance, whose image crossed my recollection—I believe I should have taken part with him. Again, I was well satisfied that Antonio should have hindered Shylock of half a million, should have laughed at his losses, thwarted his bargains, cooled his friends, heated his enemies; Shylock deserved all this: but when he came to,


"What’s his reason?—I am a Jew.
Hath not a Jew eyes? hath not a Jew hands, organs,
dimensions, senses, affections, passions? fed with
the same food, hurt with the same weapons, subject
to the same diseases, healed by the same means,
warmed and cooled by the same winter and summer as
a Christian is? If you prick us, do we not bleed?
if you tickle us, do we not laugh? if you poison
us, do not we die? and if you wrong us, shall we not
revenge? If we are like you in the rest, we will
resemble you in that. If a Jew wrong a Christian,
what is his humility? Revenge. If a Christian
wrong a Jew, what should his sufferance be, by
Christian example? Why, revenge."