I did not venture, however, to speak much of Miss Montenero; but I expatiated on the pleasure I had in Mr. Montenero’s conversation, and on the advantages I hoped to derive from cultivating his society.

Jacob, always more disposed to affection and gratitude than to suspicion or revenge, seemed happy to be relieved from the thoughts of Lord Mowbray, and he appeared inspired with fresh life and spirit when he talked of Mr. Montenero and his daughter. He mentioned their kindness to the widow and children of his deceased master, and of Mr. Montenero’s goodness to the surviving brother and partner, the London jeweller, Mr. Manessa, Jacob’s first benefactor. The Manessas had formerly been settled in Spain, at the time Mr. Montenero had lived there; and when he was in some difficulties with the Inquisition, they had in some way essentially served him, either in assisting his escape from that country, or in transmitting his property. Jacob was not acquainted with the particulars, but he knew that Mr. Montenero was most grateful for the obligation, whatever it had been; and now that he was rich and the Manessas in distress, he seemed to think he could never do enough for them. Jacob became first acquainted, as he told me, with Mr. Montenero in consequence of his connexion with this family. The widow had represented him as being a faithful friend, and the two children of his deceased master were fond of him. Mr. Montenero’s attachment to the Manessas immediately made him take notice of Jacob. Jacob told me that he was to go to their house in the city, and to take charge of their affairs, as soon as they could be settled; and that Mr. Montenero had promised if possible to obtain for him a share in the firm of the surviving brother and partner. In the mean time Jacob was employed by Mr. Montenero in making out catalogues of his books and pictures, arranging his library and cabinet of medals, &c., to all which he was fully competent. Jacob said he rejoiced that these occupations would keep him a little while longer at Mr. Montenero’s, as he should there have more frequent opportunities of seeing me, than he could hope for when he should be at the other end of the town. “Besides,” added he, “I don’t know how I shall ever be able to do without the kindness Mr. Montenero shows me; and as for Miss Montenero—!” Jacob’s countenance expanded, and his voice was by turns softened into tenderness, and raised to enthusiasm, as he again spoke of the father and daughter: and when my mind was touched and warmed by his panegyric of Berenice—pronounced with the true eloquence of the heart—she, leaning on her father’s arm, entered the room. The dignified simplicity, the graceful modesty of her appearance, so unlike the fashionable forwardness or the fashionable bashfulness, or any of the various airs of affectation, which I had seen in Lady Anne Mowbray and her class of young ladies, charmed me perhaps the more from contrast and from the novelty of the charm. There was a timid sensibility in her countenance when I spoke to her, which joined to the feminine reserve of her whole manner, the tone of her voice, and the propriety and elegance of the very little she said, pleased me inexpressibly. I wished only that she had said more. However, when her father spoke, it seemed to be almost the same as if she spoke herself—her sympathy with him appeared so strongly. He began by speaking of Jacob: he was glad to find that I was the Mr. Harrington whom Jacob had been so eager to see. It was evident that they knew all the good that grateful young man could tell of me; and the smile which I received from the father and daughter at this instant would have overpaid me for any obligations I could have conferred. Jacob retired, observing that he had taken up all the time with the history of his own private affairs, and that I had not yet seen any of the pictures. Mr. Montenero immediately led me to one of Murillo’s, regretting that he had not the pleasure of showing it to my mother. I began to speak of her sorrow at not being able to venture out; I made some apology, but whatever it was, I am sure I did not, I could not, pronounce it well. Mr. Montenero bowed his head courteously, removed his eyes from my face, and glanced for one moment at Miss Montenero with a look of regret, quickly succeeded by an expression in his countenance of calm and proud independence. He was sorry, he said, that he could not have the honour of seeing Mrs. Harrington—the pleasure of presenting his daughter to her.

I perceived that he was aware of what I had hoped had escaped his penetration—my mother’s prepossession against him and his daughter. I saw that he attributed it to a general prejudice against his race and religion, and I perceived that this hurt his feelings much, though his pride or his philosophy quickly repressed his sensibility. He never afterwards spoke of my mother—never hoped to see her another day—nor hoped even that the cold, which had prevented her from venturing out, would be better. I was the more vexed and ashamed that I had not been able to bring my mother with me. I turned the conversation as quickly as I could to Mr. Israel Lyons.

I observed, by what Mr. Montenero said, that from the information he had received from Mr. Lyons and from Jacob, he was thoroughly aware of my early prejudices and antipathy to the Jews. He observed to his daughter, that Mr. Harrington had double merit in his present liberality, since he had conquered what it is so difficult, scarcely possible, completely to conquer—an early prepossession, fostered perhaps by the opinion of many who must have had great influence on his mind. Through this compliment, I thought I saw in Mr. Montenero’s, and still more in the timid countenance of his daughter, a fear that I might relapse; and that these early prepossessions, which were so difficult, scarcely possible, completely to conquer, might recur. I promised myself that I should soon convince them they were mistaken, if they had formed any such notion, and I was flattered by the fear, as it implied that I had inspired some interest. We went on with the pictures. Not being a connoisseur, though fond of the arts, I was relieved and pleased to find that Mr. Montenero had none of the jargon of connoisseurship: while his observations impressed me with a high idea of his taste and judgment, they gave me some confidence in my own. I was delighted to find that I understood, and could naturally and truly agree with all he said, and that my untutored preferences were what they ought to be, according to the right rules of art and science. In short, I was proud to find that my taste was in general the same as his and his daughter’s. What pleased me far more than Mr. Montenero’s taste, was the liberality and the enlargement of mind I saw in all his opinions and sentiments. There was in him a philosophic calmness and moderation; his reason seemed to have worked against great natural sensibility, perhaps susceptibility, till this calm had become the unvarying temper of his mind. I fancied, also, that I perceived a constant care in him to cultivate the same temper in his daughter, and to fortify her against that extreme sensibility to the opinion of others, and that diffidence of herself, to which, as I recollected, he had formerly adverted.

After having admired some of Murillo’s pictures, we came to one which I, unpractised as I was in judging of painting, immediately perceived to be inferior.

“You are quite right,” said Mr. Montenero; “it is inferior to Murillo, and the sudden sense of this inferiority absolutely broke the painter’s heart. This picture is by a painter of the name of Castillo, who had thought comfortably well of himself, till he saw the master-pieces of Murillo’s genius; Castillo surveyed them for some time in absolute silence, then turning away, exclaimed Castillo is no more! and soon Castillo was no more. From that moment he pined away, and shortly afterwards died: not from envy,” continued Mr. Montenero; “no, he was a man of mild, amiable temper, incapable of envy; but he fell a victim to excessive sensibility—a dangerous, though not a common vice of character.”

“Weakness, not vice, I hope,” I heard Miss Montenero say in a low voice.

The father answered with a sigh, “that, however, cannot be called a virtue, which incapacitates from the exercise of independent virtue, and which, as you find, not only depresses genius, but may extinguish life itself.”

Mr. Montenero then turned to me, and with composure went on speaking of the pictures. Ever since I knew I was to see these, I had been studying Cumberland’s Lives of the Spanish Painters, and this I honestly told Mr. Montenero, when he complimented me upon my knowing all the names and anecdotes to which he alluded: he smiled—so did his daughter; and he was so good as to say that he liked me better for telling him this so candidly, than if I had known all that the connoisseurs and anecdote-mongers, living or dead, had ever said or written. We came to a picture by Alonzo Cano, who, excelling in architecture, statuary, and painting, has been called the Michael Angelo of Spain.

“He at least was not deficient in a comfortably good opinion of himself, Mr. Montenero,” said I. “Is not it recorded of Cano, that having finished a statue of Saint Antonio de Padua for a Spanish counsellor, the tasteless lawyer and niggardly devotee hesitated to pay the artist his price, observing that Cano, by his own account, had been only twenty-five days about it? The counsellor sat down, with stupid self-sufficiency, to calculate, that at a hundred pistoles, divided by twenty-five days, the artist would be paid at a higher rate than he was himself for the exercise of his talents. ‘Wretch! talk to me of your talents!’ exclaimed the enraged artist; ‘I have been fifty years learning to make this statue in twenty-five days!’ And as he spoke, Cano dashed his statue to pieces on the pavement of the academy. The affrighted counsellor fled from the house with the utmost precipitation, concluding that the man who was bold enough to destroy a saint, would have very little remorse in destroying a lawyer.