“Certainly not,” said Mowbray, who was now very attentive to every thing that passed. I forgave him the witticisms with which he had crossed my humour this morning, for the kind sympathy he showed with the pleasure I felt at this moment. Afterwards, when Mowbray and I were alone together, and compared notes, as we were in the habit of doing, upon all that had been said, and had been looked, during the day, Mowbray congratulated me upon the impression I had made by my eloquence. “Enthusiasm, you see, is the thing both with father and daughter: you succeed in that line—follow it up!”
I was incapable of affecting enthusiasm, or of acting any part to show myself off; yet Mowbray’s opinion and my own observations coinciding, unconsciously and involuntarily, I afterwards became more at my ease in yielding to my natural feelings and habitual expressions.
Miss Montenero had not yet seen the Tower, and Mowbray engaged himself to be of our party. But at the same time, he privately begged me to keep it a dead secret from his sister. Lady Anne, he said, would never cease to ridicule him, if she were to hear of his going to the Tower, after having been too lazy to go with her, and all the fashionable world, the night before, to the Fantoccini.
Though I had lived in London half my childhood, my nervous disease had prevented my being taken to see even the sights that children are usually shown; and since my late arrival in town, when I had been my own master, engagements and emotions had pressed upon me too fast to leave time or inclination to think of such things. My object, of course, was now merely to have the pleasure of accompanying Berenice.
I was unexpectedly struck, on entering the armoury at the Tower. The walls, three hundred feet in length, covered with arms for two hundred thousand men, burnished arms, glittering in fancy figures on the walls, and ranged in endless piles from the ceiling to the floor of that long gallery; then the apartment with the line of ancient kings, clad in complete armour, mounted on their steeds fully caparisoned—the death-like stiffness of the figures—the stillness—the silence of the place—altogether awe the imagination, and carry the memory back to the days of chivalry. When among these forms of kings and heroes who had ceased to be, I beheld the Black Prince, lance couched, vizor down, with the arms he wore at Cressy and Poictiers, my enthusiasm knew no bounds. The Black Prince, from my childhood, had been the object of my idolatry. I kneeled—I am ashamed to confess it—to do homage to the empty armour.
Mr. Montenero, past the age of romantic extravagance, could not sympathize with this enthusiasm, but he bore with it.
We passed on to dark Gothic nooks of chambers, where my reverence for the beds on which kings had slept, and the tables at which kings had sat, much increased by my early associations formed of Brantefield Priory, was expressed with a vehemence which astonished Mr. Montenero; and, I fear, prevented him from hearing the answers to various inquiries, upon which he, with better regulated judgment, was intent.
An orator is the worst person to tell a plain fact; the very worst guide, as Mowbray observed, that a foreigner can have. Still Mr. Montenero had patience with me, and supplied the elisions in my rhetoric, by what information he could pick up from the guide, and from Mowbray, with whom, from time to time, he stopped to see and hear, after I had passed on with Berenice. To her quickness and sympathy I flattered myself that I was always intelligible.
We came at last to the chamber where Clarence and the young princes had been murdered. Here, I am conscious, I was beyond measure exuberant in exclamations, and in quotations from Shakspeare.
Mr. Montenero came in just as I was ranting, from Clarence’s dream—