Catiline (in love with Aurelia) Francis.
Cato (father of Aurelia) Pakenham.
Cicero (in love with Aurelia) Harriet.
Caesar Moilliet.
Aurelia (daughter of Cato) Sophy.
Julia (wife to Cato) Fanny.
We found Lucy on her sofa, with her feet towards the green-house; a half-circle of chairs for the audience, with their backs touching the wardrobe—candlestick-footlights, well shaded with square sofa-cushions standing on end.
Prologue spoken by Harriet; curtain drew back, and Catiline and Aurelia appeared. Fanny had dressed Francis, from Kennet's Antiquities, out of an old rag-chest, and a more complete little Roman figure I never saw, though made up no mortal can tell how, like one of your own doings, dear aunt, with a crown of ilex leaves. Aurelia was perfectly draped in my French crimson shawl; she looked extremely classical and pretty, and her voice was so sweet, and her looks alternately so indignant to Catiline and so soft when she spoke of the man she loved, that I do not wonder Catiline was so desperately enamoured.
Pakenham was wonderful: he had received no instructions. They had determined to leave him to himself, and see what would come of it. He had brought down an old wig from the garret, and Catiline and Cato could not settle which it became best or worst; so Catiline wore his ilex crown, and Pakenham a scarlet cap and black velvet cloak, his eyebrows and chin darkened, a most solemn, stern countenance, a roll of white paper in his hand, the figure immovable, as if cut in stone: the soul of Cato seemed to have got into him. I never heard any actor speak better, nor did I ever see a part better sustained; it seemed as if one saw Cato through a diminishing glass. In one scene he interrupts Cicero, who is going off into a fine simile—"Enough: the tale." He said these three words so well, with such severity of tone, and such a piercing look, that I see and hear him still. His voice was as firm as a man's, and his self-possession absolute. He had his part so perfectly, that he was as independent of the prompter as of all the rest of the world.
Moilliet recited and played his part of Caesar wondrous well. You may think how well Pakenham and all of them must have acted, when we could stand the ridicule of Pakenham's Cato opposite to Moilliet's Caesar. One of James Moilliet's eyes would have contained all the eyes of Cato, Catiline, and Cicero. Fanny, as Julia, was beautiful.
BLACK CASTLE, Dec. 6, 1822.
How do you all do, my dear friends, after last night's hurricane? [Footnote: Numbers of the finest trees were blown down. The staircase skylight was blown away, and the lead which surrounded it rolled up as neatly as if just out of the plumber's: roofs were torn off and cabins blown down.] Have any trees been blown away? Has the spire stood? Is Madgy Woods alive? How many roofs of houses in the town have been blown away, and how many hundred slates and panes of glass must be replaced? The glass dome over the staircase at Ardbraccan has been blown away; two of the saloon windows blown in. The servants in this house sat up all night; I slept soundly. My aunt, roused at an unwonted hour from her bed this morning, stood at the foot of mine while I was yet dreaming; and she avers that when she told me that eight trees and the great green gates were blown down, that I sat up in my bed, and, opening one eye, answered, "Is it in the newspaper, ma'am?" When I came out to breakfast, the first object I beheld was the uprooted elms lying prostrate opposite the breakfast-room windows; and Mr. Fitzherbert says more than a hundred are blown down in the uplands.
Now I have done with the hurricane, I must tell you a dream of Bess's: she thought she went to call upon a lady, and found her reading a pious tract called "The Penitent Poodle!"
To MRS. O'BEIRNE.
BLACK CASTLE, Jan. 15, 1823.