It was the author of "The Renunciation of Rosalind," now "The Purple Slipper," and she looked every inch of it! Miss Elvira, the genius guided by "The Feminist Review," had done her best with the blue-silk suit, and Fifth Avenue could have done no better.

"May I see Mr. Vandeford? I am Miss Patricia Adair," she announced in a rich and calm Southern voice and manner.

Mr. Adolph Meyers sprang to his feet with the impact of the shock.

"Mr. Vandeford is not in the office, Madam, at present," he managed to gasp. Then he followed her big, gray eyes as they rested on the crack of the door through which the boom of Mr. Dennis Farraday's voice mingled with the excited chime of Miss Lindsey's laughter, and noticed as though for the first time that it had emblazoned upon it in large, gilt letters, "Mr. Vandeford. Private."

"It is Mr. Dennis Farraday, the partner of Mr. Vandeford, engaging actors, Miss, in his absence. Will you walk in?" and in almost the first panic in which he had ever indulged Mr. Adolph Meyers showed the proud young author into the sanctum sanctorum from which he had barricaded many an enraged virago who had threatened his life if he kept her from an appeal to the manager.

"It is Miss Adair, the author of your play, Mr. Farraday, would speak with you," he announced across the long room, bowed in a way he had never done in his life, and shut the door behind Miss Adair.

It is interesting to wonder how it would have affected the end of the whole matter if Patricia Adair had walked in behind the giggler when Mr. Godfrey Vandeford, with all his experience with authors, was seated on the throne instead of poor inexperienced Dennis Farraday, enjoying "The Purple Slipper" with his newly engaged, supporting lady.

"By jove, Miss Adair, it is little bit of all right that you should come in and catch Miss Lindsey and me chewing joy-rags over our—your play. Let me introduce Miss Lindsey, who is to support Miss Hawtry in the part of Harriet." And bonnie Dennis, the angel, beamed with pure joy at the good time he was having as a producer. At the very sight and sound of him poor Patricia, who for half an hour had been wandering up and down Forty-second Street, looking for the tallest building on it, took both comfort and delight, and her sea-gray eyes with stars in their depths returned the beam of his eyes.

"It's so wonderful that you like my play and are going to produce it—and you to act in it, Miss Lindsey," she said as she seated herself in the chair Mr. Farraday had drawn up for her. She looked at them both with respectful awe in her eyes and in her cheeks a flush of color that came and went as she spoke, in a way that at first puzzled Miss Lindsey as to its brand and then in turn awed her as she decided it was the real thing. The blue-silk triumph of Miss Elvira and "The Review" also puzzled her for a moment, but she put it down to some little Fifth Avenue shop that only débutantes and authors of plays could afford, and took it in with delight at its exquisite detail.

"I think it is a dandy play, as Mr. Farraday has been telling it to me. Crooks and—and cut-ups are about done for," said Miss Lindsey. She gave a quick glance at Mr. Farraday, to see if he resented the allusion to Mr. Vandeford's recent failure.