"Great guns, Pops; I'm seeing purple!" exclaimed Mr. Vandeford, as he let the violet letter fall upon the violet wrappings in which the express intrusion was incased. "Exact match! This looks like some sort of a hunch. Open it, Pops, and run through the layout while I tackle the violet letter and see if anything happens." And with great interest both grown men plunged into the excitement of the chase of the hunch.
Mr. Vandeford's letter contained the following, delivered in bold words and script:
Highcliff.
My dear Van:
This is to remind you that it is now July fifth, and my contract sets September twenty-third as the last date for my opening on Broadway in a new play under your management. "The Rosie Posie Girl" will be a huge undertaking and worthy of my every effort, but I do not feel that you are up to producing it properly. I regret your losses in "Miss Cut-up," but I did my best with a vehicle that was not worthy of my ability. The success of "Dear Geraldine" was entirely due to the comedy bits I wrote in to suit myself, and I had to be costumer and producer and the whole show. In justice to myself I feel that I ought to pass under the management of a more forceful person than yourself. And anyway I don't think you would be able to get a theater to open on Broadway in September. Remember that over a hundred good shows died on the road waiting to get into Broadway last winter, and I won't play anywhere else. Now Weiner wants to buy "The Rosie Posie Girl" from you and open his New Carnival Theatre with me in it on October first. You must sell it to him. He will make you a good offer. You can't use it without me, and I want him to produce it. Please see him immediately. You know that you owe your reputation as a producer to me, and don't be selfish. I'll expect you up on the evening train to talk over the final arrangements. I'll meet you in the runabout and we can go out to the Beach Inn for dinner. Bring me some brandied marrons, a large bottle of rose oil and a stick of lip rouge from Celeste's.
Hurriedly,
Violet.
July fifth.
P. S. Of course you are to go on loving me just as usual. I couldn't do without that. How much money have I in the Knickerbocker Trust?
After Godfrey Vandeford had read the last violent purple line on violet, he dropped the letter on his desk and looked out of his office window with serious eyes that gazed without seeing, down the long canyon of Broadway, up and down which rushed traffic composed of green cars shaped like torpedoes, honking, darting motors, skulking trucks and jostling, tangled people. Flamboyant signs, waving flags, and gilt-lettered window panes made a Persian glow in a belt space up from the seething sidewalks to the sky line, and above it all the roar and din rose to high heaven. But Godfrey Vandeford was blind to it all and deaf, as he sat and brooded above the furious landscape. His blue eyes, set deep back under their black, gray-splashed brows, failed to take in the lurid spectacle, and his narrow, lean face was flushed under the bronze it had acquired for keeps from the suns of many climes. His lean, powerful body seemed fairly crouched in thought. Once he shifted one leg across the other, and as he settled back in his chair he tossed the violet letter over to Mr. Meyers without seeming to know that he did so. Then he plunged back into his absorption without seeing his henchman read rapidly through the missive, look at him once with a gem-like keenness, and again begin to read the purple-covered manuscript.
"And we picked her out of a vaudeville gutter over beyond Weehawken just five years ago, Pop," Mr. Vandeford finally interrupted the flip of the manuscript pages to say, with a deep musing in his flexible, sympathetic voice.