"He does," came an answer from right at my shoulder in Pan's flutiest voice, and I turned to find him standing just behind me on the very edge of the old tilting rock.
"How do you know?" I demanded of him as I took the clean white cloth tied up at four corners, gypsy-fashion, which he offered me and which, I could see, was fairly bursting with green leaves of a kind I had never seen before.
"I was with him at the Metropolitan the night I saw Ann Craddock in Gale Beacon's box, you know,—the night that Mr. G. Bird sang 'Delilah,' and also I've slept on the bare ground with him in his woods in Michigan and on his red clay in Georgia."
"Well, I hate him all the same for the insult of his offer to buy Elmnest, though I doubt if he has any family pride or any family either, so, of course, he wouldn't understand that it is an insult to offer to buy one's colonial home with holes in the door to shoot Indians through," I answered with the temper that always came at the mention of the name of a man I had chosen to consider a foe without any consent on his part at all.
"You'd think he was born and raised in a hollow log if you should ever interview him, and he hasn't any family, but from some of the motions he is making, I think he intends to have," answered Pan, with one of his most fluty jeers, and he shook his head until the crests ruffled still lower over the tips of his ears.
"Are you—you one of his agents—that is, spies, and was it you that insulted me by wanting to buy Elmnest just because it was poor and old?" I demanded, with the color in my cheeks.
"I am not his spy or his agent, and do you want to come down to the spring-house and cook these wild-mustard shoots for our dinner, or shall I go at our old garden with the prospect of an empty stomach at sunset?"
"Why won't you come in to dinner with me?" I asked, with a mollified laugh, though I knew I was bringing down upon myself about my hundredth refusal of proffered hospitality.
"Two reasons—first, because I won't eat with my neighbors at the 'great house' when I can't eat with them in the cottage, and I just can't eat the grease that a lot of the poorer villagers deluge their food with. I'm Pan, and I live in the woods on roots and herbs. Second—because about six weeks ago I found a farm woman who would come out at my wooing to cook and eat the herbs and roots with me and I could have her to myself all alone. Now, will you come on down to the spring?" And without waiting for my reply, Adam started down the hill, crosswise from the path by which I had ascended, padding ahead in his weird leather sandals and breaking a path for me through the undergrowth as I followed close at his shoulder, an order of rough travel to which I had become accustomed in the weeks that had passed and that now seemed to me—well, I might say racial.
In the riot of an April growing day, in which we could hear life fairly teem and buzz at our feet, on right, and left, and overhead, Adam and I worked shoulder to shoulder in the old garden of Elmnest. Every now and then I ran down to the spring to put a green fagot under the pot of herbs, which needed to simmer for hours to be as delicious as was possible for them. From the library came a rattle and bang of literary musketry from the blessed parental twins, who were for the time being with Julius Cæsar in "all Gaul," and oblivious to anything in the twentieth century, even a spring-intoxicated niece and daughter down in her grandmother's garden with a Pan from the woods; occasionally Rufus rattled a pot or a pan; but save for these few echoes of civilization, Adam and I delved and spaded and clipped and pruned and planted in the old garden just as if it had been the plot of ground without the walls of Eden in which our first parents were forced to get busy.