And to their further joy I put my cheek down against Matthew's throttle arm and closed my eyes so that I did not see anything of the twenty-mile progression out to Elmnest. I only opened them when we arrived in Riverfield at about half after three o'clock.

Was the village out to greet me? It was not. Every front door was closed, and every front shutter shut, and I might have felt that some dire disapproval was being expressed of me and my wedding if I had not seen smoke fairly belching from every kitchen chimney, and if I hadn't known that each house was filled with the splash of vigorous tubbing for which the kitchen stoves and wash boilers were supplying the hot water.

"Bet at least ten pounds of soap has gone up in lather," said Matthew as he turned and explained the situation to Bess and Owen after I had explained it to him.

At the door of Elmnest stood Polly in a gingham dress, but with both ends of her person in bridal array, from the white satin bows on the looped up plats to the white silk stockings and satin slippers, greeting us with relief and enthusiasm. Beside her stood Aunt Mary and the parent twins, also Bud, in the gray suit with a rose in his button-hole.

Matthew handed me out and into their respective embraces, while he also gave Polly a bundle of dry-goods from which I could see white satin ribbon bursting.

"Everything is ready," she confided to him.

"I knew it would be, Corn-tassel," he answered, with an expression of affectionate confidence and pride.

Then from the embrace of Uncle Cradd I walked straight through the back door towards the barn, leaving both Bess and Annette in a state of wild remonstrance, with the wedding paraphernalia all being carried up the stairs by Bud and Rufus. Looking neither to the right nor to the left, I made my way to the barn-door and then stopped still—dead still.

It was no longer my barn—it was merely the entrance to a model poultry farm that spread out acres and acres of model houses and runs behind it. Chickens, both white and red, were clucking and working in all the pens, and nowhere among them could I see the Golden Bird.

"I hope he's dead, too," I said as I turned on my heel and, without a word, walked back to the house and up to my room, past Polly and Matthew, who stood at the barn-door, their faces pale with anxiety.