CHAPTER II

THE HARPETH JAGUAR

"It is beautifully romantic, but I don't know what we are going to do about it," answered Letitia with genuine trouble, puckering her brow under one of her smooth waves of seal-brown hair. Letitia is one of the wonderful variety of women who patch out life, piece by piece, in a beautiful symmetrical pattern and who do not have imagination enough to admire anything about a riotous crazy quilt. She is in love with Clifton Gray, has been since she wound her brown braids about her head, and is piecing strips of him into her life-fabric by the very sanest love—courtship—marriage design.

"We just can't go on as we have been doing lately," she continued. "We all decided that you would know what to do about him, and would do it when you came home. We suspected Judge Powers hadn't written you all the facts when you didn't come and the building went on up. You will be able to do something about him, won't you?"

"I think it is likely," I answered, with the brittle sugar in my voice that Letitia only half knows the flavor of. "But don't try to sketch things, Letitia. Begin at the beginning and go straight to the end; I'll pick up the pieces."

"Well, of course you remember the Bishop Goodloe romance, don't you?" asked Letitia, hopeful that she could get a small start ahead on her chronicle.

"I don't remember anything about any bishop, ever. I forget things about that kind of people. What did, or didn't he do?"

"Charlotte!" remonstrated Letitia. "He was the last of the Goodloes who built that old Goodloe home on exactly the place where the first Goodloe set the stakes of the first stockade put up in the Harpeth Valley, right here in Goodloets. It burned down the night he married that Miss Gregory in New York, before we were born. Don't you remember we used to play in the ruins, just over here beyond the garden where the chapel stands now? Your father bought the property. Part of your garden is old Madam Goodloe's garden and that's why it was so wonderful for Judge Powers to give the lot and let Mr. Goodloe build the chapel there. We all felt that, though some of us were scared when we thought about what you might do when you came home. Still, after we saw that wonderful little stone chapel that Mr. Goodloe had one of the greatest architects in New York design, after he had sent him packages of sketches of your garden and the Poplars, so it would only make it all the more beautiful, we felt better. You don't really mind about it, do you, dear?" Letitia's voice was beseechingly enthusiastic, though keyed down with a note of anxiety.

"Go on!" I commanded, packing down the rage in the dark corners of my inmost heart.