The Melting of Molly

by Maria Thompson Daviess

"Yes, Aunt Adeline, I'll go take it off this very minute," I heard myself answer her airily to my own astonishment. I might have known that if I ever got one of those smiles it would go to my head! Without another word I sailed into my room and closed the door softly.

I wonder if God could have realized what a tender thing He was leaving exposed to life in the garden of the world after He had finished making a woman? Traditionally, we are created out of rose-leaves and star-dust and the harmony of the winds, but we need a steel-chain netting to fend us. Slowly I unbuttoned that black dress that symbolized the ending of six years of the blackness of a married life, from which I had been powerless to fend myself, and the rosy dimpling thing in snowy lingerie with tags of blue ribbon that stood in front of my mirror was as new-born as any other hour-old similar bundle of linen and lace in Hillsboro, Tennessee. Fortunately, an old, year-before-last, white lawn dress could be pulled from the top shelf of the closet in a hurry, and the Molly that came out of that room was ready for life—and a lot of it quick and fast.

And again, fortunately, Aunt Adeline had retired with a violent headache and black Judy was carrying her in a hot water-bottle with a broad grin on her face. Judy sees the world from the kitchen window and understands everything. She had laid a large thick letter on the hall table where I couldn't fail to see it.

I took possession of it and carried it to a bench in the garden that backs up against the purple sprayed lilacs and is flanked by two rows of tall purple and white iris that stand in line ready for a Virginia reel with a delicate row of the poet's narcissus across the broad path. I love my flowers. I love them swaying on their stems in the wind, and I like to snatch them and crush the life out of them against my breast and face. I have been to bed every night this spring with a bunch of cool violets against my cheek and I feel that I am going to flirt with my tall row of hollyhocks as soon as they are old enough to hold up their heads and take notice. They always remind me of very stately gentlemen and I have wondered if the fluffy little butter and eggs weren't shaking their ruffles at them.

A real love-letter ought to be like a cream puff with a drop of dynamite in it. Alfred's was that kind. I felt warm and happy down to my toes as I read it and I turned around so old Lilac Bush couldn't peep over my shoulder at what he said.

He wrote from Rome this time, where he had been sent on some sort of diplomatic mission to the Vatican, and his letter about the Ancient City on her seven hills was a prose-poem in itself. I was so interested that I read on and on and forgot it was almost toast-apple time.

Of course, anybody that is anybody would be interested in Father Tiber and the old Colosseum, but what made me forget the one slice of dry toast and the apple was the way he seemed to be connecting me up with all those wonderful old antiquities that had never even seen me. Because of me he had felt and written that poem descriptive of old Tiber, and the moonlight had lit up the Colosseum just because I was over here lighting up Hillsboro, Tennessee, with Mr. Carter dead. Of course that is not the way he put it all, but there is no place to really copy what he did say down into this imp book and, anyway, that is the sentiment he expressed, boiled down and sugared off.

That's just what I mean—love boiled down and sugared off is mighty apt to get an explosive flavor, and one had better be careful with that kind if one is timid; which I'm not. As I said, also, I am ready for a little taste of life, so I read on without fear. And, to be fair, Alfred had well boiled his own last paragraph. It snapped; and I jumped and gasped both. I almost thought I didn't quite like it and was going to read it over again to see, when there came a procession from over to Doctor John's and I laid the bombshell down on the bench.