The flame lily lifts a burnt-orange cup straight toward the sky. The yellow meadow lily bends down over the damp mold it seeks. But both love deep woods, and, blazing suddenly above a fern bed, the rich flowers startle, like a butterfly of the Andes adrift in Canadian forests. They are princesses of the tropics, incongruously banished to Northern swamps, but scornfully at ease. The false Solomon’s-seal in proud assemblies wears with an oddly holiday air its freckled coral beads, always a lure to the errant cow; and jack-in-the-pulpit, having been invested with some churchly rank which demands the red robe, is ready to cast off his cassock of lustrous striped green for one of scarlet. The pendent-flowered jewelweed, plant with temperament and therefore called, too, touch-me-not, droops its dew-lined leaves along the traveled lanes, for it is making ready small surprise packages of seed that snap ferociously open at a touch; and thus intriguing every passer-by into sowing its crop, it earns the name unfairly borne by the innocent yellow toadflax—snapdragon, which snaps only at bumblebees.
Gayly in possession of the fields, black-eyed Susan, known to the farmer as “that confounded yellow bull’s-eye,” is holding her own, prepared to resist to the utmost the onslaught of the goldenrod, which presumes to unfurl in summer the banners of fall. The clear yellow evening primrose, scion of one of our very best old English families, associates democratically with a peasant mullein stalk, canary-flecked, since they both fancy sun and sand. Magnificent sometimes upon the sand banks rises a clump of that copper-in-the-sunshine flower, the butterfly weed, soon to become as fugitive as our fair, lost trailing arbutus, the cardinal, and the fringed gentian, if its lovers do not woo it less selfishly. All beauty refuses captivity. In upland meadows the orange hawkweed is afoot, waving its delirious-colored “paint brush” wantonly amid the pasture grass in the light hours, but folding it at sunset, no sipper of the dews. Brook sunflowers have come to the edge of the stream, but not to look into the waters; their sunward-gazing petals are delicately scented, surpassing their sisters of the fenced garden. The half-tamed tiger lily, haunter of deserted dooryards and faithful even to abandoned mountain farms long since given over to the wildcat and the owl, wanderer by dusty roadsides, offers each morning new buds, and by twilight they have bloomed and withered. Like the May rose, this is an elegiac flower, clinging to lost gardens when all the rest have vanished, though patches of tansy, herb of witchlore, will show pungent golden buttons for long years untended, let the forgotten gardener but plant it once. How many a little cabin, built in eagerness and hope, is remembered at last only by the tiger lily, May rose, and chimney swift! Yellow sweet clover, catching a roothold anywhere, declaring the gravel bed a garden, makes it happiness to breathe the entranced air. The yellow butterflies, like leaves of autumn, tremble and flurry where the sun-steeped field meets the sweet dark wood. Among the rocks gleam ebony seeds of the blackberry lily, whose star of orange and umber is about to set.
Who knows, besides the birds, that embroidered on the moss new scarlet partridge berries are ripe, hung from the vagrant vine of pale-veined leaf that does not fear the snow? Only a month ago in this fairy greenery lay the furry white partridge blossom, almost invisible, but with a fragrance like that of just-opened water lilies, and now the green fruit colors to the Christmas hue. There are no flowers like these. The wood fairies wear them with their gowns of spangled cobweb trimmed with moonlight.
Bough apples, with a sweetness like that of flowers distilled by the intense sun, show the first brown seeds. From the high-piled loads of hay journeying slowly to the mow fall the dried buttercups and daisies that danced in the mowing grass. Ceaseless are locusts; heavy is the air above the garden, where phlox and strawberry shrub tinge it Persian-sweet. Clustered blueberries are drooped upon the mountains, and in the swamps, sometimes over quicksands, shows the darkling sheen of the high-bush huckleberry. The odor of the balsam fir is drawn out and spread far by the heat. Now the pursued brambles become the blackberry patch. The waste lands shine yellow with the blooms of the marching hardhack. It is the triumph of the sun, and his priest, the white day lily of the cloistral leaf, worships in fragrance.
CHAPTER VIII.
THE MOOD OF AUGUST
The wild cherries are no longer garnet; they have darkened to their harvest and hang in somber ripeness from the twig. Drowsy lie the grain fields and slowly purpling vineyards. The robin in the apple orchard is hardly to be seen among the red-fruited boughs from which the first Astrakhans are dropping. Days of uncertain suns and exultant growing are over. A languorous pause has come to the year. Even the crows, flapping away across the windy blue, caw in a sleepy fashion, not yet hoarse with anxiety because the huskers are hurrying the corn to cover with that penurious vigilance which a crow finds so objectionable. The rabbits, scampering and wary in the new clover time, sit out in the hot sun a good deal now, like convalescent patients; they will keep this up until the faint noons of November, storing the warmth that lets them sleep, come winter, through many a hunting party overhead. The woodpecker knocks with less ferocity. Stately on his favorite dead branch at the lake’s edge the blue-armored kingfisher sits to watch the ripple. Only the grasshopper persists with tragical intensity in his futile rehearsal for the role of humming bird. A satirical Italian compares man to the grasshopper, but no man is capable of such devotion to baffled aspirations. Practice in grace makes him more and more imperfect. Young wood duck, with portentous dignity, follow their mother down the topaz creek in single file, an attentive field class, observing the demented lucky bugs, the red-lined lily pads of the coves, the turtles sound asleep on the warm stones. For the wood’s feathered children this is no month of play and slumber; it will soon be autumn, and they must attempt the long flight.
The aspect of the buckwheat fields is August’s signet. From their goldenrod borders reaches a world of happy whiteness, against sky the color of the pickerelweed flower, waving softly, shadowed only by the plumy clouds. The corn is out in topgallant, and if you look from a mountain path into the planted valley, the écru tassels have hidden the lustrous ribbon leaves. Cornfields are never silent. Always there is a low swish, like that of little summer waves on a lake shore.