Everywoman’s Queen
Far from the Imperial Crowns though she may be, every woman is the monarch of her own beauty. When she sits before a mirror, a woman sees both the material of beauty and the artist who must work with that material. And the first thing an artist must learn is the potentialities of the material.
An honest appraisal of what looks forth from the glass is the beginning of its improvement. Nature has given few women features without flaw; and there is little of personal charm in the prize “perfection” of professional beauty in the face of the beauty-contest “queen.” Even the most beautiful of women can have that beauty enhanced. Cosmetics are no more than a base upon which jewelry spreads its charm. Jewels are the oldest and most proven help to beauty.
And the most lasting. The precious stones that Cleopatra wore for the admiration of three monarchs still hold their pristine fire, and no doubt sparkle on the throat and hand of some fair lady of today. If the cost of a jewel is measured against the duration of its usefulness—even apart from its beauty, its small bulk, and its ready possibility of resale—it is clear that there is no better investment. Nor is there any monotony in a precious stone. It takes new glow in various lights. A little ingenuity will suggest variations in its use. And as fashions change, the permanent values in the stone itself can be displayed in new settings.
A Stone’s Best Setting
The most permanent aspect of the setting of a precious stone is, of course, the wearer herself. When asked for his wisest counsel, the old sage replied: Know thyself. As a later poet put it, “The proper study of mankind is man.” This also holds for woman. A full and frank estimate of the physical features must precede any proper attempt to adorn them.
Consider, for instance, the bone structure. Heavy bones are usually associated with wide shoulders, square cheek bones and strong, pronounced wrists, whereas small bones usually mark a slight build, with slender fingers and small wrists. A woman with wide cheek bones should naturally wear earclips and necklaces that look heavier, to balance her appearance. This proportion should be observed throughout her jewelry wardrobe, with heavier and higher-built rings, bulkier bracelets, larger brooches and clips.
A woman of heavier build emphasizes this fact when she wears a tiny ring and a clip that looks lost on her bosom. On the other hand, a petite person may easily seem overpowered, even dwarfed, by a massive set of jewelry. She will be fittingly adorned with light and airy pieces, with the stones set individually in a dainty style.