Below the altar, striking upwards from the floor of the sanctuary, gleamed a corona of light. Charles—she could not for a moment doubt that it was Charles's doing—had moved the six high, heavy silver candlesticks which always stood on either side of the altar, and had placed them on the ground.

There, in a circle, the wax candles blazed, standing sentinel-wise about a dark, round object which was propped up on a pile of altar-linen carefully arranged to support it.

Fear clutched at Catherine's heart—such fear as even in the early days of Charles's madness had never clutched it. She was filled with a horrible dread, and a wild, incredulous dismay.

What was the Thing, at once so familiar and so terribly strange, that Charles had brought out of the November night and placed with so much care below the altar?

But the thin flames of the candles, now shooting up, now guttering low, blown on by some invisible current of strong air, gave no steady light.

Staying still close to the door, she sank down on her knees, and desiring to shut out, obliterate, the awful sight confronting her, she pressed both her hands to her eyes. But that availed her nothing.

Suddenly there rose up before Catherine Nagle a dreadful scene of that great Revolution drama of which she had been so often told as a child. She saw, with terrible distinctness, the severed heads of men and women borne high on iron pikes, and one of these blood-streaked, livid faces was that of James Mottram—the wide-open, sightless eyes, his eyes....

There also came back to her as she knelt there, shivering with cold and anguish, the story of a French girl of noble birth who, having bought her lover's head from the executioner, had walked with it in her arms to the village near Paris where stood his deserted château.

Slowly she rose from her knees, and with her hands thrown out before her, she groped her way to the wall and there crept along, as if a precipice lay on her other side.

At last she came to the narrow oak door which gave on to the staircase leading into the open air. The door was ajar; it was from there that blew the current of air which caused those thin, fantastic flames to flare and gutter in the awful stillness.