Her brother made no answer; he looked down at her with uncritical and yet dissatisfied eyes. She was a handsome woman, and even now only forty-six, and yet she managed to convey an impression of age. This was partly owing to her unsuitable dress, for Mrs. Rigby was wearing a dark blue silk gown, chosen, not only to grace her silver wedding day, but also with a view to being her best dress during the coming autumn and winter.

Kate Rigby loved her half-brother, David Banfield, as only a childless woman can love the creature to whom she has stood for long years in the place of mother. David was twelve years younger than herself, and, with one exception, he had never caused her a moment's real unhappiness or unease. The exception, however, had been paramount, for with him had been connected Mrs. Rigby's only taste of sharp pain and sorrow, and, worse still, to such a woman as herself, of disgrace.

The young man's marriage to an Irish singer, which had taken place without his sister's knowledge, had proved disastrous. Rosaleen Tara—to give her the stage name by which her charming rendering of the old national ballads had made her widely known—had never liked, or been suited to, life as led at Market Dalling; and to make matters worse, she was a Roman Catholic.

After a few years' unsatisfactory married life, and the birth of one child, a girl, Mrs. David Banfield had returned, with her husband's grudging consent, to the musical stage. Then, on the very day Banfield had been expecting his wife home for a short holiday, there had come from her a letter telling him shortly, bluntly, cruelly, that she had been unfaithful to her marriage vow, and that she hoped he would forget her.

Had he forgotten her? No. It had only been owing to his sister's urgency, and to Matthew Rigby's more measured advice, that Banfield had at last consented to take the step of divorcing his wife.

This step Mrs. Rigby had not only never regretted, but—and in this she was more fortunate than her husband—no doubt had ever crossed her mind of its having been the wisest thing for her brother's happiness and peace. But Matthew Rigby, cautious member of a cautious profession, had learned very early in his married life the futility of disagreeing with the wife with whom Providence had blessed him.

Now Banfield lived in solitary state with his little girl, his household managed by the child's nurse, an old Irishwoman, who, if devoted to the child, was incapable of managing such a decorous household as should have been that of the Brew House.

Any day, any hour, Mrs. Rigby would have bartered her personal happiness for that of her half-brother, and yet the two seldom met—and they met almost daily—without the saying on her part of something likely either to wound or to annoy him.

"I suppose Rosy is well? I thought you meant sending the child in to see me to-day?"

"Didn't she come?" A look of worry and anger crossed Banfield's dark, mobile face. "I can't think what prevented it, unless—well, there's been rather an upset at the Brew House, and perhaps Mary Scanlan didn't like to go out."