And as Paul de Virieu told Sylvia Bailey of all these curious old-world folk of his, Sylvia wondered more and more why he led the kind of existence he was leading now.
For the first time since Sylvia had come to Lacville, neither she nor Count Paul spent any part of that afternoon at the Casino. They were both at that happy stage of—shall we say friendship?—when a man and a woman cannot see too much of one another; when time is as if it were not; when nothing said or done can be wrong in the other's sight; when Love is still a soft and an invisible presence, with naught about him of the exacting tyrant he will so soon become.
Count Paul postponed his departure for Paris till after dinner, and not till she went up to dress did Sylvia sit down to write her answer to the Duchesse d'Eglemont.
For a long while she held her pen in her hand. How was she to address Paul de Virieu's sister? Must she call her "Dear Madame"? Should she call her "Dear Duchesse"? It was really an unimportant matter, but it appeared very important to Sylvia Bailey. She was exceedingly anxious not to commit any social solecism.
And then, while she was still hesitating, still sitting with the pen poised in her hand, there came a knock at the door.
The maid handed her a note; it was from Count Paul, the first letter he had ever written to her.
"Madame,"—so ran the note—"it occurs to me that you might like to answer my sister in French, and so I venture to send you the sort of letter that you might perhaps care to write. Each country has its own usages in these matters—that must be my excuse for my apparent impertinence."
And then there followed a prettily-turned little epistle which Sylvia copied, feeling perhaps a deeper gratitude than a far greater service would have won him from her.