But when Gerald Burton came back at the end of two hours, after a long and weary struggle with French officialdom, all he could report was that to the best of the Commissaire's belief no Englishman had met with an accident that day. There had been three street accidents yesterday in which foreigners had been concerned, but none, most positively none, to-day. He admitted, however, that all his reports were not yet in.
Paris, from the human point of view, swells to monstrous proportions when it becomes the background of a great International World's Fair. And the police, unlike the great majority of those in the vast hive where they keep order, have nothing to gain in exchange for the manifold discomforts an Exhibition brings in its train.
At last, worn out by the mingled agitations and emotions of the day, Nancy went to bed.
The Senator, Gerald and Daisy Burton waited up some time longer. It was a comfort to the father to be able to feel that at last he was alone for a while with his children. To them at least he could unburden his perplexed and now burdened mind.
"I suppose it didn't occur to you, Gerald, to go to this Mr. Dampier's studio?"
He looked enquiringly at his son.
Gerald Burton was sitting at the table from which Mrs. Dampier had just risen. He looked, if a trifle weary, yet full of eager energy and life—a fine specimen of strong, confident young manhood—a son of whom any father might well be fond and proud.
The Senator had great confidence in Gerald's sense and judgment.
"Yes indeed, father, I went there first. Not only did I go to the studio, but from the Commissaire's office I visited many of the infirmaries and hospitals of the Quarter. You see, I didn't trust the Commissaire; I don't think he really knew whether there had been any street accidents or not. In fact at the end of our talk he admitted as much himself."
"And at Mr. Dampier's studio?" queried the Senator. "What did you find there? Didn't the old housekeeper seem surprised at her master's prolonged absence?"