And now Laurence Vanderlyn and Margaret Pargeter were speeding through the night, completely and physically alone as they had never been during the years of their long acquaintanceship; and, as he sat there, with the woman he had loved so long and so faithfully wholly in his power, there came over Vanderlyn a sense of fierce triumph and conquest.
The train had not started to time. There had come a sound of eager talking on the platform, and Vanderlyn, filled with a vague apprehension, had leaned out of the window and with some difficulty ascertained the cause of the delay. The guard in charge of the train, the man, that is, whom he had feed so well in order to secure privacy, had strained his hand in lifting a weight, and another employé had had to take his place.
But at last the few moments of waiting—to Vanderlyn they had seemed an hour—had come to an end. At last the train began to move, that slow and yet relentless movement which is one of the few things in our modern world which spell finality. To the man and the woman it was the starting of the train which indicated to them both that the die was indeed cast.
Vanderlyn looked at his companion. She was gazing up at him with a strange expression of gladness, of relief, on her face. The long years of restraint and measured coldness seemed to have vanished, receded into nothingness.
She held out her ringless hand and clasped his, and a moment later they were sitting hand in hand, like two children, side by side. With a rather awkward movement he slipped on her finger a thin gold ring—his dead mother's wedding-ring,—but still she said nothing. Her head was turned away, and she was staring out of the window, as if fascinated by the flying lights. He knew rather than saw that her eyes were shining, her cheeks pink with excitement; then she took off her hat, and he told himself that her fair hair gleaming against the grey-brown furnishings of the railway carriage looked like a golden aureole.
Suddenly Laurence Vanderlyn pressed the hand he was holding to his lips, dropped it, and then stood up. He pulled the blue silk shade over the electric light globe which hung in the centre of the carriage; glanced through one of the two tiny glazed apertures giving a view of the next compartment; then he sat down by her, and in the half darkness gathered her into his arms.
"Dear," he said, in a voice that sounded strange and muffled even to himself, "do you remember the passage at Bonnington?"
As he held her, she had been looking up into his face, but now, hearing his question, she flushed deeply, and her head fell forward on his breast. Their minds, their hearts, were travelling back to the moment, to the trifling episode, which had revealed to each the other's love.
It had happened ten years ago, at a time when Tom Pargeter, desiring to play the rôle of country gentleman, had taken for awhile a certain historic country house. There, he and his young wife had brought together a great Christmas house-party composed of the odd, ill-assorted social elements which gather at the call of the wealthy host who has exchanged old friends for new acquaintances. Peggy's own people, old-fashioned country gentry, were regarded by Pargeter as hopelessly dowdy and "out of it," so none of them had been invited. With Laurence Vanderlyn alone had the young mistress of the house had any link of mutual interests or sympathies; but of flirtation, as that protean word was understood by those about them, there had been none.
Then, on Christmas Eve, had come the playing of childish games, though no children were present, for the two-year-old child of the host and hostess was safe in bed. It was in the chances of one of these games that Laurence Vanderlyn had for a moment caught Margaret Pargeter in his arms——